CC Adi 16.102 - Revision history

Elad: Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

2024-02-19T18:31:49Z

Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

← Older revision		Revision as of 18:31, 19 February 2024
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	<div class="synonyms">		<div class="synonyms">
	''doṣa-guṇa-vicāra''~~—therefore~~ to criticize one’s poetry as good or bad; ''ei''~~—this~~; ''alpa''~~—negligible~~; ''~~kari~~''~~’—making~~; ''māni''—I consider; ''~~kavitva—~~''poetic ingenuity; ''karaṇe''~~—in~~ performing; ''śakti''~~—power~~; ''tāṅhā''~~—that~~; ''se''~~—we~~; ''vākhāni''~~—describe~~.		''[//vanipedia.org/wiki/Special:VaniSearch?s=doṣa&tab=syno_o&ds=1 doṣa]-[//vanipedia.org/wiki/Special:VaniSearch?s=guṇa&tab=syno_o&ds=1 guṇa]-[//vanipedia.org/wiki/Special:VaniSearch?s=vicāra&tab=syno_o&ds=1 vicāra]'' — therefore to criticize one’s poetry as good or bad; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ei&tab=syno_o&ds=1 ei]'' — this; ''[//vanipedia.org/wiki/Special:VaniSearch?s=alpa&tab=syno_o&ds=1 alpa]'' — negligible; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kari’&tab=syno_o&ds=1 kari’]'' — making; ''[//vanipedia.org/wiki/Special:VaniSearch?s=māni&tab=syno_o&ds=1 māni]'' — I consider; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kavitva&tab=syno_o&ds=1 kavitva]'' — ''poetic ingenuity; ''[//vanipedia.org/wiki/Special:VaniSearch?s=karaṇe&tab=syno_o&ds=1 karaṇe]'' — in performing; ''[//vanipedia.org/wiki/Special:VaniSearch?s=śakti&tab=syno_o&ds=1 śakti]'' — power; ''[//vanipedia.org/wiki/Special:VaniSearch?s=tāṅhā&tab=syno_o&ds=1 tāṅhā]'' — that; ''[//vanipedia.org/wiki/Special:VaniSearch?s=se&tab=syno_o&ds=1 se]'' — we; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vākhāni&tab=syno_o&ds=1 vākhāni]'' — describe.
	</div>		</div>

Kritika at 11:29, 21 July 2021

2021-07-21T11:29:21Z

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	{{~~CC_Header~~\|{{~~PAGENAME}}~~}}		[[Category:Sri Caitanya-caritamrta - Adi-lila Chapter 16\|C102]]
			<div style="float:left">'''[[Sri Caitanya-caritamrta\|Śrī Caitanya-caritāmṛta]] - [[CC Adi\|Ādi-līlā]] - [[CC Adi 16\|Chapter 16: The Pastimes of the Lord in His Childhood and Youth]]'''</div>
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	==== TEXT 102 ====		==== TEXT 102 ====

	<div id="~~text~~">		<div class="verse">
	doṣa-guṇa-vicāra—ei alpa kari’ māni~~<br>~~		:doṣa-guṇa-vicāra—ei alpa kari’ māni
	kavitva-karaṇe śakti, tāṅhā se vākhāni~~<br>~~		:kavitva-karaṇe śakti, tāṅhā se vākhāni
	</div>		</div>

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	==== SYNONYMS ====		==== SYNONYMS ====

	<div id="synonyms">		<div class="synonyms">
	doṣa-guṇa-~~vicāra—therefore~~ to criticize one’s poetry as good or bad; ~~ei—this~~; ~~alpa—negligible~~; ~~kari’—making~~; ~~māni—I~~ consider; ~~kavitva—poetic~~ ingenuity; ~~karaṇe—in~~ performing; ~~śakti—power~~; ~~tāṅhā—that~~; ~~se—we~~; ~~vākhāni—describe~~.		''doṣa-guṇa-vicāra''—therefore to criticize one’s poetry as good or bad; ''ei''—this; ''alpa''—negligible; ''kari''’—making; ''māni''—I consider; ''kavitva—''poetic ingenuity; ''karaṇe''—in performing; ''śakti''—power; ''tāṅhā''—that; ''se''—we; ''vākhāni''—describe.
	</div>		</div>

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	==== TRANSLATION ====		==== TRANSLATION ====

	<div id="translation">		<div class="translation">
	“Such mistakes should be considered negligible. One should see only how such poets have displayed their poetic power.		“Such mistakes should be considered negligible. One should see only how such poets have displayed their poetic power.
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	==== PURPORT ====		==== PURPORT ====

	<div id="purport">		<div class="purport">
	In Śrīmad-Bhāgavatam ([[SB 1.5.11]]) it is said:		In [[Srimad-Bhagavatam\|''Śrīmad-Bhāgavatam'']] ([[SB 1.5.11]]) it is said:

	:tad-vāg-visargo janatāgha-viplavo		:tad-vāg-visargo janatāgha-viplavo
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	:śṛṇvanti gāyanti gṛṇanti sādhavaḥ		:śṛṇvanti gāyanti gṛṇanti sādhavaḥ

	“In explaining the glories of the Lord, inexperienced men may compose poetry with many faults, but because it contains glorification of the Lord, great personalities read it, hear it and chant it.” Despite its minute literary discrepancies, one must study poetry on the merit of its subject matter. According to Vaiṣṇava philosophy, any literature that glorifies the Lord, whether properly written or not, is first class. There need be no other considerations. The poetic compositions of Bhavabhūti, or Śrīkaṇṭha, include Mālatī-mādhava, Uttara-carita, Vīra-carita and many similar Sanskrit dramas. This great poet was born during the time of Bhojarāja as the son of Nīlakaṇṭha, a brāhmaṇa. Kālidāsa flourished during the time of Mahārāja Vikramāditya, and he became the state poet. He composed some thirty or forty Sanskrit dramas, including Kumāra-sambhava, Abhijñāna-śakuntalā and Megha-dūta. His drama Raghu-vaṁśa is especially famous. We have already described Jayadeva in Chapter Thirteen of the Adi-līlā.		“In explaining the glories of the Lord, inexperienced men may compose poetry with many faults, but because it contains glorification of the Lord, great personalities read it, hear it and chant it.” Despite its minute literary discrepancies, one must study poetry on the merit of its subject matter. According to Vaiṣṇava philosophy, any literature that glorifies the Lord, whether properly written or not, is first class. There need be no other considerations. The poetic compositions of Bhavabhūti, or Śrīkaṇṭha, include ''Mālatī-mādhava, Uttara-carita, Vīra-carita'' and many similar Sanskrit dramas. This great poet was born during the time of Bhojarāja as the son of Nīlakaṇṭha, a ''brāhmaṇa''. Kālidāsa flourished during the time of Mahārāja Vikramāditya, and he became the state poet. He composed some thirty or forty Sanskrit dramas, including ''Kumāra-sambhava, Abhijñāna-śakuntalā'' and ''Megha-dūta''. His drama ''Raghu-vaṁśa'' is especially famous. We have already described Jayadeva in Chapter Thirteen of the ''Adi-līlā.''
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			<div style="float:right; clear:both;">[[File:Go-previous.png\|link=CC Adi 16.101\|Ādi-līlā 16.101]] '''[[CC Adi 16.101\|Ādi-līlā 16.101]] - [[CC Adi 16.103\|Ādi-līlā 16.103]]''' [[File:Go-next.png\|link=CC Adi 16.103\|Ādi-līlā 16.103]]</div>
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Acyuta: 1 revision(s)

2008-03-18T23:15:48Z

1 revision(s)

New page

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==== TEXT 102 ====

<div id="text">
doṣa-guṇa-vicāra—ei alpa kari’ māni<br>
kavitva-karaṇe śakti, tāṅhā se vākhāni<br>
</div>

==== SYNONYMS ====

<div id="synonyms">
doṣa-guṇa-vicāra—therefore to criticize one’s poetry as good or bad; ei—this; alpa—negligible; kari’—making; māni—I consider; kavitva—poetic ingenuity; karaṇe—in performing; śakti—power; tāṅhā—that; se—we; vākhāni—describe.
</div>

==== TRANSLATION ====

<div id="translation">
“Such mistakes should be considered negligible. One should see only how such poets have displayed their poetic power.
</div>

==== PURPORT ====

<div id="purport">
In Śrīmad-Bhāgavatam ([[SB 1.5.11]]) it is said:

:tad-vāg-visargo janatāgha-viplavo
:yasmin prati-ślokam abaddhavaty api
:nāmāny anantasya yaśo ’ṅkitāni yat
:śṛṇvanti gāyanti gṛṇanti sādhavaḥ

“In explaining the glories of the Lord, inexperienced men may compose poetry with many faults, but because it contains glorification of the Lord, great personalities read it, hear it and chant it.” Despite its minute literary discrepancies, one must study poetry on the merit of its subject matter. According to Vaiṣṇava philosophy, any literature that glorifies the Lord, whether properly written or not, is first class. There need be no other considerations. The poetic compositions of Bhavabhūti, or Śrīkaṇṭha, include Mālatī-mādhava, Uttara-carita, Vīra-carita and many similar Sanskrit dramas. This great poet was born during the time of Bhojarāja as the son of Nīlakaṇṭha, a brāhmaṇa. Kālidāsa flourished during the time of Mahārāja Vikramāditya, and he became the state poet. He composed some thirty or forty Sanskrit dramas, including Kumāra-sambhava, Abhijñāna-śakuntalā and Megha-dūta. His drama Raghu-vaṁśa is especially famous. We have already described Jayadeva in Chapter Thirteen of the Adi-līlā.
</div>
__NOTOC__{{CC_Footer|{{PAGENAME}}}}