CC Madhya 2.72 - Revision history

Elad: Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

2024-02-19T22:34:39Z

Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

← Older revision		Revision as of 22:34, 19 February 2024
Line 19:		Line 19:

	<div class="synonyms">		<div class="synonyms">
	''stambha''~~—being~~ stunned; ''kampa''~~—trembling~~; ''prasveda''~~—perspiration~~; ''vaivarṇya''~~—fading~~ away of the color; ''aśru''~~—tears~~; ''svara-bheda''~~—choking~~ of the voice; ''deha''~~—body~~; ''haila''~~—was~~; ''pulake''~~—in~~ joy; ''vyāpita''~~—pervaded~~; ''hāse''~~—laughs~~; ''kānde''~~—cries~~; ''nāce''~~—dances~~; ''gāya''~~—sings~~; ''uṭhi’''~~—getting~~ up; ''iti uti''~~—here~~ and there; ''dhāya''~~—runs~~; ''kṣaṇe''~~—sometimes~~; ''bhūme''~~—on~~ the ground; ''paḍiyā''~~—falling~~ down; ''mūrcchita''~~—unconscious~~.		''[//vanipedia.org/wiki/Special:VaniSearch?s=stambha&tab=syno_o&ds=1 stambha]'' — being stunned; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kampa&tab=syno_o&ds=1 kampa]'' — trembling; ''[//vanipedia.org/wiki/Special:VaniSearch?s=prasveda&tab=syno_o&ds=1 prasveda]'' — perspiration; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vaivarṇya&tab=syno_o&ds=1 vaivarṇya]'' — fading away of the color; ''[//vanipedia.org/wiki/Special:VaniSearch?s=aśru&tab=syno_o&ds=1 aśru]'' — tears; ''[//vanipedia.org/wiki/Special:VaniSearch?s=svara&tab=syno_o&ds=1 svara]-[//vanipedia.org/wiki/Special:VaniSearch?s=bheda&tab=syno_o&ds=1 bheda]'' — choking of the voice; ''[//vanipedia.org/wiki/Special:VaniSearch?s=deha&tab=syno_o&ds=1 deha]'' — body; ''[//vanipedia.org/wiki/Special:VaniSearch?s=haila&tab=syno_o&ds=1 haila]'' — was; ''[//vanipedia.org/wiki/Special:VaniSearch?s=pulake&tab=syno_o&ds=1 pulake]'' — in joy; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vyāpita&tab=syno_o&ds=1 vyāpita]'' — pervaded; ''[//vanipedia.org/wiki/Special:VaniSearch?s=hāse&tab=syno_o&ds=1 hāse]'' — laughs; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kānde&tab=syno_o&ds=1 kānde]'' — cries; ''[//vanipedia.org/wiki/Special:VaniSearch?s=nāce&tab=syno_o&ds=1 nāce]'' — dances; ''[//vanipedia.org/wiki/Special:VaniSearch?s=gāya&tab=syno_o&ds=1 gāya]'' — sings; ''[//vanipedia.org/wiki/Special:VaniSearch?s=uṭhi’&tab=syno_o&ds=1 uṭhi’]'' — getting up; ''[//vanipedia.org/wiki/Special:VaniSearch?s=iti&tab=syno_o&ds=1 iti] [//vanipedia.org/wiki/Special:VaniSearch?s=uti&tab=syno_o&ds=1 uti]'' — here and there; ''[//vanipedia.org/wiki/Special:VaniSearch?s=dhāya&tab=syno_o&ds=1 dhāya]'' — runs; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kṣaṇe&tab=syno_o&ds=1 kṣaṇe]'' — sometimes; ''[//vanipedia.org/wiki/Special:VaniSearch?s=bhūme&tab=syno_o&ds=1 bhūme]'' — on the ground; ''[//vanipedia.org/wiki/Special:VaniSearch?s=paḍiyā&tab=syno_o&ds=1 paḍiyā]'' — falling down; ''[//vanipedia.org/wiki/Special:VaniSearch?s=mūrcchita&tab=syno_o&ds=1 mūrcchita]'' — unconscious.
	</div>		</div>

Soham at 09:50, 24 July 2021

2021-07-24T09:50:43Z

← Older revision		Revision as of 09:50, 24 July 2021
Line 1:		Line 1:
	{{~~CC_Header~~\|{{~~PAGENAME}}~~}}		[[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 02\|C072]]
			<div style="float:left">'''[[Sri Caitanya-caritamrta\|Śrī Caitanya-caritāmṛta]] - [[CC Madhya\|Madhya-līlā]] - [[CC Madhya 2\|Chapter 2: The Ecstatic Manifestations of Lord Śrī Caitanya Mahāprabhu]]'''</div>
			<div style="float:right">[[File:Go-previous.png\|link=CC Madhya 2.71\|Madhya-līlā 2.71]] '''[[CC Madhya 2.71\|Madhya-līlā 2.71]] - [[CC Madhya 2.73\|Madhya-līlā 2.73]]''' [[File:Go-next.png\|link=CC Madhya 2.73\|Madhya-līlā 2.73]]</div>
			{{CompareVersions\|CC\|Madhya 2.72\|CC 1975\|CC 1996}}
			{{RandomImage}}


	==== TEXT 72 ====		==== TEXT 72 ====

	<div id="~~text~~">		<div class="verse">
	stambha, kampa, prasveda, vaivarṇya, aśru, svara-bheda,~~<br>~~		:stambha, kampa, prasveda, vaivarṇya, aśru, svara-bheda,
	deha haila pulake vyāpita~~<br>~~		:deha haila pulake vyāpita
	hāse, kānde, nāce, gāya, uṭhi’ iti uti dhāya,~~<br>~~		:hāse, kānde, nāce, gāya, uṭhi’ iti uti dhāya,
	kṣaṇe bhūme paḍiyā mūrcchita~~<br>~~		:kṣaṇe bhūme paḍiyā mūrcchita
	</div>		</div>

Line 14:		Line 18:
	==== SYNONYMS ====		==== SYNONYMS ====

	<div id="synonyms">		<div class="synonyms">
	~~stambha—being~~ stunned; ~~kampa—trembling~~; ~~prasveda—perspiration~~; ~~vaivarṇya—fading~~ away of the color; ~~aśru—tears~~; svara-~~bheda—choking~~ of the voice; ~~deha—body~~; ~~haila—was~~; ~~pulake—in~~ joy; ~~vyāpita—pervaded~~; ~~hāse—laughs~~; ~~kānde—cries~~; ~~nāce—dances~~; ~~gāya—sings~~; ~~uṭhi’—getting~~ up; iti ~~uti—here~~ and there; ~~dhāya—runs~~; ~~kṣaṇe—sometimes~~; ~~bhūme—on~~ the ground; ~~paḍiyā—falling~~ down; ~~mūrcchita—unconscious~~.		''stambha''—being stunned; ''kampa''—trembling; ''prasveda''—perspiration; ''vaivarṇya''—fading away of the color; ''aśru''—tears; ''svara-bheda''—choking of the voice; ''deha''—body; ''haila''—was; ''pulake''—in joy; ''vyāpita''—pervaded; ''hāse''—laughs; ''kānde''—cries; ''nāce''—dances; ''gāya''—sings; ''uṭhi’''—getting up; ''iti uti''—here and there; ''dhāya''—runs; ''kṣaṇe''—sometimes; ''bhūme''—on the ground; ''paḍiyā''—falling down; ''mūrcchita''—unconscious.
	</div>		</div>

Line 21:		Line 25:
	==== TRANSLATION ====		==== TRANSLATION ====

	<div id="translation">		<div class="translation">
	There were different transformations of the body of Lord Caitanya Mahāprabhu: being stunned, trembling, perspiring, fading away of color, weeping, and choking of the voice. In this way His whole body was pervaded by transcendental joy. As a result, sometimes Caitanya Mahāprabhu would laugh, sometimes cry, sometimes dance and sometimes sing. Sometimes He would get up and run here and there, and sometimes fall on the ground and lose consciousness.		There were different transformations of the body of Lord Caitanya Mahāprabhu: being stunned, trembling, perspiring, fading away of color, weeping, and choking of the voice. In this way His whole body was pervaded by transcendental joy. As a result, sometimes Caitanya Mahāprabhu would laugh, sometimes cry, sometimes dance and sometimes sing. Sometimes He would get up and run here and there, and sometimes fall on the ground and lose consciousness.
	</div>		</div>
Line 28:		Line 32:
	==== PURPORT ====		==== PURPORT ====

	<div id="purport">		<div class="purport">
	In the Bhakti-rasāmṛta-sindhu, eight kinds of transcendental changes taking place in the body are described. Stambha, being stunned, refers to the mind’s becoming transcendentally absorbed. In that state, the peaceful mind is placed on the life air, and different bodily transformations are manifest. These symptoms are visible in the body of an advanced devotee. When life becomes almost inactive, it is called “stunned.” The emotions resulting from this condition are joy, fear, astonishment, moroseness and anger. In this condition, the power of speech is lost and there is no movement in the hands and legs. Otherwise, being stunned is a mental condition. Many other symptoms are visible on the entire body in the beginning. These are very subtle, but gradually they become very apparent. When one cannot speak, naturally one’s active senses are arrested, and the knowledge-acquiring senses are rendered inoperative. Kampa, trembling of the body, is mentioned in the Bhakti-rasāmṛta-sindhu as a result of a special kind of fear, anger and joy. This is called vepathu, or kampa. When the body begins to perspire because of joy, fear and anger combined, this is called sveda. Vaivarṇya is described as a change in the bodily color. It is caused by a combination of moroseness, anger and fear. When these emotions are experienced, the complexion turns pale and the body becomes lean and thin. Aśru is explained in the Bhakti-rasāmṛta-sindhu as a combination of joy, anger and moroseness that causes water to flow from the eyes without effort. When there is joy and there are tears in the eyes, the temperature of the tears is cold, but when there is anger, the tears are hot. In both cases, the eyes are restless, the eyeballs are red and there is itching. These are all symptoms of aśru. When there is a combination of moroseness, astonishment, anger, joy and fear, there is a choking in the voice. This choking is called gadgada. Śrī Caitanya Mahāprabhu refers to gadgada-ruddhayā girā, or “a faltering voice.” In the Bhakti-rasāmṛta-sindhu, pulaka is described as joy, encouragement and fear. When these combine, the hairs on the body stand on end, and this bodily state is called pulaka.		In the ''Bhakti-rasāmṛta-sindhu'', eight kinds of transcendental changes taking place in the body are described. ''Stambha'', being stunned, refers to the mind’s becoming transcendentally absorbed. In that state, the peaceful mind is placed on the life air, and different bodily transformations are manifest. These symptoms are visible in the body of an advanced devotee. When life becomes almost inactive, it is called “stunned.” The emotions resulting from this condition are joy, fear, astonishment, moroseness and anger. In this condition, the power of speech is lost and there is no movement in the hands and legs. Otherwise, being stunned is a mental condition. Many other symptoms are visible on the entire body in the beginning. These are very subtle, but gradually they become very apparent. When one cannot speak, naturally one’s active senses are arrested, and the knowledge-acquiring senses are rendered inoperative. ''Kampa'', trembling of the body, is mentioned in the ''Bhakti-rasāmṛta-sindhu'' as a result of a special kind of fear, anger and joy. This is called ''vepathu'', or ''kampa''. When the body begins to perspire because of joy, fear and anger combined, this is called ''sveda''. ''Vaivarṇya'' is described as a change in the bodily color. It is caused by a combination of moroseness, anger and fear. When these emotions are experienced, the complexion turns pale and the body becomes lean and thin. ''Aśru'' is explained in the ''Bhakti-rasāmṛta-sindhu'' as a combination of joy, anger and moroseness that causes water to flow from the eyes without effort. When there is joy and there are tears in the eyes, the temperature of the tears is cold, but when there is anger, the tears are hot. In both cases, the eyes are restless, the eyeballs are red and there is itching. These are all symptoms of ''aśru''. When there is a combination of moroseness, astonishment, anger, joy and fear, there is a choking in the voice. This choking is called ''gadgada''. Śrī Caitanya Mahāprabhu refers to ''gadgada-ruddhayā girā'', or “a faltering voice.” In the ''Bhakti-rasāmṛta-sindhu'', ''pulaka'' is described as joy, encouragement and fear. When these combine, the hairs on the body stand on end, and this bodily state is called ''pulaka''.
	</div>		</div>
	__NOTOC__~~{{CC_Footer\|{{PAGENAME}}}}~~

			<div style="float:right; clear:both;">[[File:Go-previous.png\|link=CC Madhya 2.71\|Madhya-līlā 2.71]] '''[[CC Madhya 2.71\|Madhya-līlā 2.71]] - [[CC Madhya 2.73\|Madhya-līlā 2.73]]''' [[File:Go-next.png\|link=CC Madhya 2.73\|Madhya-līlā 2.73]]</div>
			__NOTOC__
			__NOEDITSECTION__

Acyuta: 1 revision(s)

2008-03-18T23:18:26Z

1 revision(s)

New page

{{CC_Header|{{PAGENAME}}}}

==== TEXT 72 ====

<div id="text">
stambha, kampa, prasveda, vaivarṇya, aśru, svara-bheda,<br>
deha haila pulake vyāpita<br>
hāse, kānde, nāce, gāya, uṭhi’ iti uti dhāya,<br>
kṣaṇe bhūme paḍiyā mūrcchita<br>
</div>

==== SYNONYMS ====

<div id="synonyms">
stambha—being stunned; kampa—trembling; prasveda—perspiration; vaivarṇya—fading away of the color; aśru—tears; svara-bheda—choking of the voice; deha—body; haila—was; pulake—in joy; vyāpita—pervaded; hāse—laughs; kānde—cries; nāce—dances; gāya—sings; uṭhi’—getting up; iti uti—here and there; dhāya—runs; kṣaṇe—sometimes; bhūme—on the ground; paḍiyā—falling down; mūrcchita—unconscious.
</div>

==== TRANSLATION ====

<div id="translation">
There were different transformations of the body of Lord Caitanya Mahāprabhu: being stunned, trembling, perspiring, fading away of color, weeping, and choking of the voice. In this way His whole body was pervaded by transcendental joy. As a result, sometimes Caitanya Mahāprabhu would laugh, sometimes cry, sometimes dance and sometimes sing. Sometimes He would get up and run here and there, and sometimes fall on the ground and lose consciousness.
</div>

==== PURPORT ====

<div id="purport">
In the Bhakti-rasāmṛta-sindhu, eight kinds of transcendental changes taking place in the body are described. Stambha, being stunned, refers to the mind’s becoming transcendentally absorbed. In that state, the peaceful mind is placed on the life air, and different bodily transformations are manifest. These symptoms are visible in the body of an advanced devotee. When life becomes almost inactive, it is called “stunned.” The emotions resulting from this condition are joy, fear, astonishment, moroseness and anger. In this condition, the power of speech is lost and there is no movement in the hands and legs. Otherwise, being stunned is a mental condition. Many other symptoms are visible on the entire body in the beginning. These are very subtle, but gradually they become very apparent. When one cannot speak, naturally one’s active senses are arrested, and the knowledge-acquiring senses are rendered inoperative. Kampa, trembling of the body, is mentioned in the Bhakti-rasāmṛta-sindhu as a result of a special kind of fear, anger and joy. This is called vepathu, or kampa. When the body begins to perspire because of joy, fear and anger combined, this is called sveda. Vaivarṇya is described as a change in the bodily color. It is caused by a combination of moroseness, anger and fear. When these emotions are experienced, the complexion turns pale and the body becomes lean and thin. Aśru is explained in the Bhakti-rasāmṛta-sindhu as a combination of joy, anger and moroseness that causes water to flow from the eyes without effort. When there is joy and there are tears in the eyes, the temperature of the tears is cold, but when there is anger, the tears are hot. In both cases, the eyes are restless, the eyeballs are red and there is itching. These are all symptoms of aśru. When there is a combination of moroseness, astonishment, anger, joy and fear, there is a choking in the voice. This choking is called gadgada. Śrī Caitanya Mahāprabhu refers to gadgada-ruddhayā girā, or “a faltering voice.” In the Bhakti-rasāmṛta-sindhu, pulaka is described as joy, encouragement and fear. When these combine, the hairs on the body stand on end, and this bodily state is called pulaka.
</div>
__NOTOC__{{CC_Footer|{{PAGENAME}}}}