Vanibot: Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

2020-01-27T13:50:16Z

Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

← Older revision		Revision as of 13:50, 27 January 2020
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	<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)\|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)\|Madhya-līlā]] - [[CC Madhya 21 (1975)\|Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa]]'''</div>		<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)\|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)\|Madhya-līlā]] - [[CC Madhya 21 (1975)\|Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa]]'''</div>
	<div style="float:right">[[File:Go-previous.png\|link=CC Madhya 21.143 (1975)\|Madhya-līlā 21.143]] '''[[CC Madhya 21.143 (1975)\|Madhya-līlā 21.143]] - [[CC Madhya 21.145 (1975)\|Madhya-līlā 21.145]]''' [[File:Go-next.png\|link=CC Madhya 21.145 (1975)\|Madhya-līlā 21.145]]</div>		<div style="float:right">[[File:Go-previous.png\|link=CC Madhya 21.143 (1975)\|Madhya-līlā 21.143]] '''[[CC Madhya 21.143 (1975)\|Madhya-līlā 21.143]] - [[CC Madhya 21.145 (1975)\|Madhya-līlā 21.145]]''' [[File:Go-next.png\|link=CC Madhya 21.145 (1975)\|Madhya-līlā 21.145]]</div>
			{{CompareVersions\|CC\|Madhya 21.144\|CC 1975\|CC 1996}}
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	~~''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''~~

	==== TEXT 144 ====		==== TEXT 144 ====

	<div class="verse">		<div class="verse">
	:kāṇera bhitara vāsā kare, āpane tāṅhā sadā sphure,		:kāṇera bhitara vāsā kare, āpane tāṅhā sadā sphure,
	:anya śabda nā deya praveśite		:anya śabda nā deya praveśite
	:āna kathā nā śune kāṇa, āna balite bolaya āna,		:āna kathā nā śune kāṇa, āna balite bolaya āna,
	:ei kṛṣṇera vaṁśīra carite		:ei kṛṣṇera vaṁśīra carite
	</div>		</div>
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	<div class="translation">		<div class="translation">
	~~“The~~ vibration of His flute is just like a bird that creates a nest within the ears of the gopīs and always remains prominent there, not allowing any other sound to enter their ears. Indeed, the gopīs cannot hear anything else, nor are they able to concentrate on anything else, not even to give a suitable reply. Such are the effects of the vibration of Lord ~~Kṛṣṇa’s~~ flute.”		"The vibration of His flute is just like a bird that creates a nest within the ears of the gopīs and always remains prominent there, not allowing any other sound to enter their ears. Indeed, the gopīs cannot hear anything else, nor are they able to concentrate on anything else, not even to give a suitable reply. Such are the effects of the vibration of Lord Kṛṣṇa's flute."
	</div>		</div>

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	<div class="purport">		<div class="purport">
	The vibration of ~~Kṛṣṇa’s~~ flute is always prominent in the ears of the gopīs. Naturally they cannot hear anything else. Constant remembrance of the holy sound of ~~Kṛṣṇa’s~~ flute keeps them enlightened and enlivened, and they do not allow any other sound to enter their ears. Since their attention is fixed on ~~Kṛṣṇa’s~~ flute, they cannot divert their minds to any other subject. In other words, a devotee who has heard the sound of ~~Kṛṣṇa’s~~ flute forgets to talk or hear of any other subject. This vibration of ~~Kṛṣṇa’s~~ flute is represented by the Hare Kṛṣṇa mahā-mantra. A serious devotee of the Lord who chants and hears this transcendental vibration becomes so accustomed to it that he cannot divert his attention to any subject matter not related to ~~Kṛṣṇa’s~~ blissful characteristics and paraphernalia.		The vibration of Kṛṣṇa's flute is always prominent in the ears of the gopīs. Naturally they cannot hear anything else. Constant remembrance of the holy sound of Kṛṣṇa's flute keeps them enlightened and enlivened, and they do not allow any other sound to enter their ears. Since their attention is fixed on Kṛṣṇa's flute, they cannot divert their minds to any other subject. In other words, a devotee who has heard the sound of Kṛṣṇa's flute forgets to talk or hear of any other subject. This vibration of Kṛṣṇa's flute is represented by the Hare Kṛṣṇa mahā-mantra. A serious devotee of the Lord who chants and hears this transcendental vibration becomes so accustomed to it that he cannot divert his attention to any subject matter not related to Kṛṣṇa's blissful characteristics and paraphernalia.
	</div>		</div>

Vanibot: Vanibot #0027: CCMirror - Mirror CC's 1996 edition to form a basis for 1975

2019-03-17T03:15:22Z

Vanibot #0027: CCMirror - Mirror CC's 1996 edition to form a basis for 1975

New page

[[Category:Sri Caitanya-caritamrta (1975) - Madhya-lila Chapter 21|C144]]
<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 21 (1975)|Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Madhya 21.143 (1975)|Madhya-līlā 21.143]] '''[[CC Madhya 21.143 (1975)|Madhya-līlā 21.143]] - [[CC Madhya 21.145 (1975)|Madhya-līlā 21.145]]''' [[File:Go-next.png|link=CC Madhya 21.145 (1975)|Madhya-līlā 21.145]]</div>
{{RandomImage}}

''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''

==== TEXT 144 ====

<div class="verse">
:kāṇera bhitara vāsā kare, āpane tāṅhā sadā sphure,
:anya śabda nā deya praveśite
:āna kathā nā śune kāṇa, āna balite bolaya āna,
:ei kṛṣṇera vaṁśīra carite
</div>

==== SYNONYMS ====

<div class="synonyms">
kāṇera—the hole of the ear; bhitara—within; vāsā kare—makes a residence; āpane—personally; tāṅhā—there; sadā—always; sphure—is prominent; anya—other; śabda—sounds; nā—not; deya—allows; praveśite—to enter; āna kathā—other talks; nā—not; śune—hears; kāṇa—the ear; āna—something else; balite—to speak; bolaya—speaks; āna—another thing; ei kṛṣṇera—of Lord Kṛṣṇa; vaṁśīra—of the flute; carite—characteristics.
</div>

==== TRANSLATION ====

<div class="translation">
“The vibration of His flute is just like a bird that creates a nest within the ears of the gopīs and always remains prominent there, not allowing any other sound to enter their ears. Indeed, the gopīs cannot hear anything else, nor are they able to concentrate on anything else, not even to give a suitable reply. Such are the effects of the vibration of Lord Kṛṣṇa’s flute.”
</div>

==== PURPORT ====

<div class="purport">
The vibration of Kṛṣṇa’s flute is always prominent in the ears of the gopīs. Naturally they cannot hear anything else. Constant remembrance of the holy sound of Kṛṣṇa’s flute keeps them enlightened and enlivened, and they do not allow any other sound to enter their ears. Since their attention is fixed on Kṛṣṇa’s flute, they cannot divert their minds to any other subject. In other words, a devotee who has heard the sound of Kṛṣṇa’s flute forgets to talk or hear of any other subject. This vibration of Kṛṣṇa’s flute is represented by the Hare Kṛṣṇa mahā-mantra. A serious devotee of the Lord who chants and hears this transcendental vibration becomes so accustomed to it that he cannot divert his attention to any subject matter not related to Kṛṣṇa’s blissful characteristics and paraphernalia.
</div>

<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Madhya 21.143 (1975)|Madhya-līlā 21.143]] '''[[CC Madhya 21.143 (1975)|Madhya-līlā 21.143]] - [[CC Madhya 21.145 (1975)|Madhya-līlā 21.145]]''' [[File:Go-next.png|link=CC Madhya 21.145 (1975)|Madhya-līlā 21.145]]</div>
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CC Madhya 21.144 (1975) - Revision history

Vanibot: Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

Vanibot: Vanibot #0027: CCMirror - Mirror CC's 1996 edition to form a basis for 1975