CC Madhya 4.125 - Revision history

Elad: Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

2024-02-19T23:27:42Z

Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

← Older revision		Revision as of 23:27, 19 February 2024
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	<div class="synonyms">		<div class="synonyms">
	''grāmera''~~—of~~ the village; ''śūnya-hāṭe''~~—in~~ the vacant marketplace; ''vasi’''~~—sitting~~ down; ''karena''~~—performs~~; ''kīrtana''~~—chanting~~; ''ethā''~~—in~~ the temple; ''pūjārī''~~—the~~ priest; ''karāila''~~—made~~; ''ṭhākure''~~—the~~ Deity; ''śayana''~~—lying~~ down.		''[//vanipedia.org/wiki/Special:VaniSearch?s=grāmera&tab=syno_o&ds=1 grāmera]'' — of the village; ''[//vanipedia.org/wiki/Special:VaniSearch?s=śūnya&tab=syno_o&ds=1 śūnya]-[//vanipedia.org/wiki/Special:VaniSearch?s=hāṭe&tab=syno_o&ds=1 hāṭe]'' — in the vacant marketplace; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vasi’&tab=syno_o&ds=1 vasi’]'' — sitting down; ''[//vanipedia.org/wiki/Special:VaniSearch?s=karena&tab=syno_o&ds=1 karena]'' — performs; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kīrtana&tab=syno_o&ds=1 kīrtana]'' — chanting; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ethā&tab=syno_o&ds=1 ethā]'' — in the temple; ''[//vanipedia.org/wiki/Special:VaniSearch?s=pūjārī&tab=syno_o&ds=1 pūjārī]'' — the priest; ''[//vanipedia.org/wiki/Special:VaniSearch?s=karāila&tab=syno_o&ds=1 karāila]'' — made; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ṭhākure&tab=syno_o&ds=1 ṭhākure]'' — the Deity; ''[//vanipedia.org/wiki/Special:VaniSearch?s=śayana&tab=syno_o&ds=1 śayana]'' — lying down.
	</div>		</div>

Soham at 11:06, 26 July 2021

2021-07-26T11:06:51Z

← Older revision		Revision as of 11:06, 26 July 2021
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	{{~~CC_Header~~\|{{~~PAGENAME}}~~}}		[[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 04\|C125]]
			<div style="float:left">'''[[Sri Caitanya-caritamrta\|Śrī Caitanya-caritāmṛta]] - [[CC Madhya\|Madhya-līlā]] - [[CC Madhya 4\|Chapter 4: Śrī Mādhavendra Puri's Devotional Service]]'''</div>
			<div style="float:right">[[File:Go-previous.png\|link=CC Madhya 4.124\|Madhya-līlā 4.124]] '''[[CC Madhya 4.124\|Madhya-līlā 4.124]] - [[CC Madhya 4.126\|Madhya-līlā 4.126]]''' [[File:Go-next.png\|link=CC Madhya 4.126\|Madhya-līlā 4.126]]</div>
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	==== TEXT 125 ====		==== TEXT 125 ====

	<div id="~~text~~">		<div class="verse">
	grāmera śūnya-hāṭe vasi’ karena kīrtana~~<br>~~		:grāmera śūnya-hāṭe vasi’ karena kīrtana
	ethā pūjārī karāila ṭhākure śayana~~<br>~~		:ethā pūjārī karāila ṭhākure śayana
	</div>		</div>

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	==== SYNONYMS ====		==== SYNONYMS ====

	<div id="synonyms">		<div class="synonyms">
	~~grāmera—of~~ the village; śūnya-~~hāṭe—in~~ the vacant marketplace; ~~vasi’—sitting~~ down; ~~karena—performs~~; ~~kīrtana—chanting~~; ~~ethā—in~~ the temple; ~~pūjārī—the~~ priest; ~~karāila—made~~; ~~ṭhākure—the~~ Deity; ~~śayana—lying~~ down.		''grāmera''—of the village; ''śūnya-hāṭe''—in the vacant marketplace; ''vasi’''—sitting down; ''karena''—performs; ''kīrtana''—chanting; ''ethā''—in the temple; ''pūjārī''—the priest; ''karāila''—made; ''ṭhākure''—the Deity; ''śayana''—lying down.
	</div>		</div>

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	==== TRANSLATION ====		==== TRANSLATION ====

	<div id="translation">		<div class="translation">
	Mādhavendra Purī left the temple and sat down in the village marketplace, which was vacant. Sitting there, he began to chant. In the meantime, the temple priest laid the Deity down to rest.		Mādhavendra Purī left the temple and sat down in the village marketplace, which was vacant. Sitting there, he began to chant. In the meantime, the temple priest laid the Deity down to rest.
	</div>		</div>
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	==== PURPORT ====		==== PURPORT ====

	<div id="purport">		<div class="purport">
	Although Mādhavendra Purī was not interested in eating and sleeping, his interest in chanting the mahā-mantra was as acute as if he were an aspiring transcendentalist rather than a paramahaṁsa. This means that even in the paramahaṁsa stage, one cannot give up chanting. Haridāsa Ṭhākura and the Gosvāmīs were all engaged in chanting a fixed number of rounds; therefore chanting on beads is very important for everyone, even though one may become a paramahaṁsa. This chanting can be executed anywhere, either inside or outside the temple. Mādhavendra Purī even sat down in a vacant marketplace to perform his chanting. As stated by Śrīnivāsa Ācārya in his prayers to the Gosvāmīs: nāma-gāna-natibhiḥ. A paramahaṁsa devotee is always engaged in chanting and rendering loving service to the Lord. Chanting the Lord’s holy names and engaging in His service are identical. As stated in Śrīmad-Bhāgavatam ([[SB 7.5.23]]), there are nine kinds of devotional service: hearing (śravaṇam), chanting (kīrtanam), remembering (viṣṇoḥ smaraṇam), serving (pāda-sevanam), worship of the Deity (arcanam), praying (vandanam), carrying out orders (dāsyam), serving Him as a friend (sakhyam) and sacrificing everything for the Lord (ātma-nivedanam). Although each process appears distinct, when one is situated on the absolute platform he can see that they are identical. For instance, hearing is as good as chanting, and remembering is as good as chanting or hearing. Similarly, engaging in Deity worship is as good as chanting, hearing or remembering. The devotee is expected to accept all nine processes of devotional service, but even if only one process is properly executed, he can still attain the highest position (paramahaṁsa) and go back home, back to Godhead.		Although Mādhavendra Purī was not interested in eating and sleeping, his interest in chanting the ''mahā-mantra'' was as acute as if he were an aspiring transcendentalist rather than a ''paramahaṁsa''. This means that even in the ''paramahaṁsa'' stage, one cannot give up chanting. Haridāsa Ṭhākura and the Gosvāmīs were all engaged in chanting a fixed number of rounds; therefore chanting on beads is very important for everyone, even though one may become a ''paramahaṁsa''. This chanting can be executed anywhere, either inside or outside the temple. Mādhavendra Purī even sat down in a vacant marketplace to perform his chanting. As stated by Śrīnivāsa Ācārya in his prayers to the Gosvāmīs: ''nāma-gāna-natibhiḥ''. A ''paramahaṁsa'' devotee is always engaged in chanting and rendering loving service to the Lord. Chanting the Lord’s holy names and engaging in His service are identical. As stated in [[Srimad-Bhagavatam\|''Śrīmad-Bhāgavatam'']] ([[SB 7.5.23-24\|SB 7.5.23]]), there are nine kinds of devotional service: hearing (''śravaṇam''), chanting (''kīrtanam''), remembering (''viṣṇoḥ smaraṇam''), serving (''pāda-sevanam''), worship of the Deity (''arcanam''), praying (''vandanam''), carrying out orders (''dāsyam''), serving Him as a friend (''sakhyam'') and sacrificing everything for the Lord (''ātma-nivedanam''). Although each process appears distinct, when one is situated on the absolute platform he can see that they are identical. For instance, hearing is as good as chanting, and remembering is as good as chanting or hearing. Similarly, engaging in Deity worship is as good as chanting, hearing or remembering. The devotee is expected to accept all nine processes of devotional service, but even if only one process is properly executed, he can still attain the highest position (''paramahaṁsa'') and go back home, back to Godhead.
	</div>		</div>
	__NOTOC__~~{{CC_Footer\|{{PAGENAME}}}}~~

			<div style="float:right; clear:both;">[[File:Go-previous.png\|link=CC Madhya 4.124\|Madhya-līlā 4.124]] '''[[CC Madhya 4.124\|Madhya-līlā 4.124]] - [[CC Madhya 4.126\|Madhya-līlā 4.126]]''' [[File:Go-next.png\|link=CC Madhya 4.126\|Madhya-līlā 4.126]]</div>
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Acyuta: 1 revision(s)

2008-03-18T23:19:23Z

1 revision(s)

New page

{{CC_Header|{{PAGENAME}}}}

==== TEXT 125 ====

<div id="text">
grāmera śūnya-hāṭe vasi’ karena kīrtana<br>
ethā pūjārī karāila ṭhākure śayana<br>
</div>

==== SYNONYMS ====

<div id="synonyms">
grāmera—of the village; śūnya-hāṭe—in the vacant marketplace; vasi’—sitting down; karena—performs; kīrtana—chanting; ethā—in the temple; pūjārī—the priest; karāila—made; ṭhākure—the Deity; śayana—lying down.
</div>

==== TRANSLATION ====

<div id="translation">
Mādhavendra Purī left the temple and sat down in the village marketplace, which was vacant. Sitting there, he began to chant. In the meantime, the temple priest laid the Deity down to rest.
</div>

==== PURPORT ====

<div id="purport">
Although Mādhavendra Purī was not interested in eating and sleeping, his interest in chanting the mahā-mantra was as acute as if he were an aspiring transcendentalist rather than a paramahaṁsa. This means that even in the paramahaṁsa stage, one cannot give up chanting. Haridāsa Ṭhākura and the Gosvāmīs were all engaged in chanting a fixed number of rounds; therefore chanting on beads is very important for everyone, even though one may become a paramahaṁsa. This chanting can be executed anywhere, either inside or outside the temple. Mādhavendra Purī even sat down in a vacant marketplace to perform his chanting. As stated by Śrīnivāsa Ācārya in his prayers to the Gosvāmīs: nāma-gāna-natibhiḥ. A paramahaṁsa devotee is always engaged in chanting and rendering loving service to the Lord. Chanting the Lord’s holy names and engaging in His service are identical. As stated in Śrīmad-Bhāgavatam ([[SB 7.5.23]]), there are nine kinds of devotional service: hearing (śravaṇam), chanting (kīrtanam), remembering (viṣṇoḥ smaraṇam), serving (pāda-sevanam), worship of the Deity (arcanam), praying (vandanam), carrying out orders (dāsyam), serving Him as a friend (sakhyam) and sacrificing everything for the Lord (ātma-nivedanam). Although each process appears distinct, when one is situated on the absolute platform he can see that they are identical. For instance, hearing is as good as chanting, and remembering is as good as chanting or hearing. Similarly, engaging in Deity worship is as good as chanting, hearing or remembering. The devotee is expected to accept all nine processes of devotional service, but even if only one process is properly executed, he can still attain the highest position (paramahaṁsa) and go back home, back to Godhead.
</div>
__NOTOC__{{CC_Footer|{{PAGENAME}}}}