NOD 51 (1970) - Revision history

Shaalini at 13:36, 8 December 2021

2021-12-08T13:36:21Z

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	Rasābhāsa, or incompatible mixtures of mellows, can be classified as uparasa (false expression) anurasa (imitation) and aparasa (perverted or misrepresented mellows).		''Rasābhāsa'', or incompatible mixtures of mellows, can be classified as ''uparasa'' (false expression) ''anurasa'' (imitation) and ''aparasa'' (perverted or misrepresented mellows).

	There is the following statement by an impersonalist who had just seen Kṛṣṇa: "When a person has passed completely from all contamination of material existence, he relishes a transcendental bliss of being established in trance. But as soon as I saw You, the original Personality of Godhead, I experienced the same bliss." This perverted reflection of mellows is called śānta-uparasa, or a perverted reflection of mixed impersonalism and personalism.		There is the following statement by an impersonalist who had just seen Kṛṣṇa: "When a person has passed completely from all contamination of material existence, he relishes a transcendental bliss of being established in trance. But as soon as I saw You, the original Personality of Godhead, I experienced the same bliss." This perverted reflection of mellows is called ''śānta-uparasa'', or a perverted reflection of mixed impersonalism and personalism.

	There is another statement as follows: "Wherever I am glancing I simply see Your personality. Therefore I know You are the uncontaminated Brahman effulgence, the supreme cause of all causes. I think there is nothing but You in this cosmic manifestation." This is another example of uparasa, or a perverted reflection of impersonalism and personalism.		There is another statement as follows: "Wherever I am glancing I simply see Your personality. Therefore I know You are the uncontaminated Brahman effulgence, the supreme cause of all causes. I think there is nothing but You in this cosmic manifestation." This is another example of ''uparasa'', or a perverted reflection of impersonalism and personalism.

	When Madhumaṅgala, an intimate friend of Kṛṣṇa, was dancing before Kṛṣṇa in a joking manner, no one was paying attention to him, and he jokingly said, "My dear Lord, please be merciful upon me. I am praying for Your mercy." This is an example of uparasa in fraternal affection and neutrality.		When Madhumaṅgala, an intimate friend of Kṛṣṇa, was dancing before Kṛṣṇa in a joking manner, no one was paying attention to him, and he jokingly said, "My dear Lord, please be merciful upon me. I am praying for Your mercy." This is an example of ''uparasa'' in fraternal affection and neutrality.

	Kaṁsa once addressed his sister Devakī as follows: "My dear sister, having seen your dear son Kṛṣṇa, I think that He is so strong that He can kill even wrestlers strong as the mountains. So I will have no more anxieties about Him, even if He is engaged in a terrible fight." This is an instance of uparasa in a perverted reflection of parental love.		Kaṁsa once addressed his sister Devakī as follows: "My dear sister, having seen your dear son Kṛṣṇa, I think that He is so strong that He can kill even wrestlers strong as the mountains. So I will have no more anxieties about Him, even if He is engaged in a terrible fight." This is an instance of ''uparasa'' in a perverted reflection of parental love.

	In the Lalita-mādhava, Śrīla Rūpa Gosvāmī says, "The wives of the yajñic brāhmaṇas were all young girls, and they were attracted to Kṛṣṇa in the same way as the gopīs of Vṛndāvana. Out of their attraction they distributed food to Kṛṣṇa." Here the two devotional mellows are conjugal love and parental love, and the result is called upa-rasa in conjugal love.		In the ''Lalita-mādhava'', Śrīla Rūpa Gosvāmī says, "The wives of the ''yajñic brāhmaṇas'' were all young girls, and they were attracted to Kṛṣṇa in the same way as the ''gopīs'' of Vṛndāvana. Out of their attraction they distributed food to Kṛṣṇa." Here the two devotional mellows are conjugal love and parental love, and the result is called ''upa-rasa'' in conjugal love.

	One of the friends of Śrīmatī Rādhārāṇī told Her, "My dear friend Gāndharvikā (Rādhārāṇī), You were the most chaste girl in our village, but now You have divided Yourself and are partially chaste and partially unchaste. It is all due to Cupid's influence upon You after You saw Kṛṣṇa and heard the sound of His flute." This is another example of uparasa caused by divided interests in conjugal love.		One of the friends of Śrīmatī Rādhārāṇī told Her, "My dear friend Gāndharvikā (Rādhārāṇī), You were the most chaste girl in our village, but now You have divided Yourself and are partially chaste and partially unchaste. It is all due to Cupid's influence upon You after You saw Kṛṣṇa and heard the sound of His flute." This is another example of ''uparasa'' caused by divided interests in conjugal love.

	According to some expert learned scholars, the feelings between lover and beloved create perverted reflections of mellows in many ways.		According to some expert learned scholars, the feelings between lover and beloved create perverted reflections of mellows in many ways.

	"The gopīs have become purified by Kṛṣṇa's glance, and as such, Cupid's influence is distinctly visible on their bodies." Although in the material sense the glancing of a boy at a girl is a kind of pollution, when Kṛṣṇa threw His transcendental glance at the gopīs, they became purified. In other words, because Kṛṣṇa is the absolute truth, any action by Him is transcendentally pure.		"The ''gopīs'' have become purified by Kṛṣṇa's glance, and as such, Cupid's influence is distinctly visible on their bodies." Although in the material sense the glancing of a boy at a girl is a kind of pollution, when Kṛṣṇa threw His transcendental glance at the ''gopīs'', they became purified. In other words, because Kṛṣṇa is the absolute truth, any action by Him is transcendentally pure.


	After Kṛṣṇa chastised the Kāliyanāga in the Yamunā River by dancing on his heads, the Kāliyanāga's wives addressed Kṛṣṇa, "My dear cowherd boy, we are all only young wives of the Kāliyanāga, so why do you agitate our minds by sounding Your flute?" Kāliya's wives were flattering Kṛṣṇa so that He would spare their husband. Therefore this is an example of uparasa, or imitation.		After Kṛṣṇa chastised the Kāliyanāga in the Yamunā River by dancing on his heads, the Kāliyanāga's wives addressed Kṛṣṇa, "My dear cowherd boy, we are all only young wives of the Kāliyanāga, so why do you agitate our minds by sounding Your flute?" Kāliya's wives were flattering Kṛṣṇa so that He would spare their husband. Therefore this is an example of ''uparasa'', or imitation.

	One devotee said, "My dear Govinda, here is a nice flowery bush in Kailāsa. I am a young girl, and You are a young poetic boy. After this, what more can I say? You just consider." This is an example of uparasa, caused by impudency in conjugal love.		One devotee said, "My dear Govinda, here is a nice flowery bush in Kailāsa. I am a young girl, and You are a young poetic boy. After this, what more can I say? You just consider." This is an example of ''uparasa'', caused by impudency in conjugal love.

	When Nārada Muni was passing through Vṛndāvana, he came to the Bhāṇḍīravana Forest and saw in one of the trees the famous parrot couple that always accompanies Lord Kṛṣṇa. The couple was imitating some discussion they heard upon the Vedānta philosophy, and thus were seemingly arguing upon various philosophical points. Upon seeing this, Nārada Muni was struck with wonder, and he began to stare without moving his eyelids. This is an example of anurasa, or imitation.		When Nārada Muni was passing through Vṛndāvana, he came to the Bhāṇḍīravana Forest and saw in one of the trees the famous parrot couple that always accompanies Lord Kṛṣṇa. The couple was imitating some discussion they heard upon the Vedānta philosophy, and thus were seemingly arguing upon various philosophical points. Upon seeing this, Nārada Muni was struck with wonder, and he began to stare without moving his eyelids. This is an example of ''anurasa'', or imitation.

	When Kṛṣṇa was fleeing away from the battlefield, from a distant place Jarāsandha was watching Him with restless eyes and was feeling very proud. Being thus puffed up with his conquest, he was repeatedly laughing. This is an example of aparasa.		When Kṛṣṇa was fleeing away from the battlefield, from a distant place Jarāsandha was watching Him with restless eyes and was feeling very proud. Being thus puffed up with his conquest, he was repeatedly laughing. This is an example of ''aparasa''.


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Rasābhāsa, or incompatible mixtures of mellows, can be classified as uparasa (false expression) anurasa (imitation) and aparasa (perverted or misrepresented mellows).

There is the following statement by an impersonalist who had just seen Kṛṣṇa: "When a person has passed completely from all contamination of material existence, he relishes a transcendental bliss of being established in trance. But as soon as I saw You, the original Personality of Godhead, I experienced the same bliss." This perverted reflection of mellows is called śānta-uparasa, or a perverted reflection of mixed impersonalism and personalism.

There is another statement as follows: "Wherever I am glancing I simply see Your personality. Therefore I know You are the uncontaminated Brahman effulgence, the supreme cause of all causes. I think there is nothing but You in this cosmic manifestation." This is another example of uparasa, or a perverted reflection of impersonalism and personalism.

When Madhumaṅgala, an intimate friend of Kṛṣṇa, was dancing before Kṛṣṇa in a joking manner, no one was paying attention to him, and he jokingly said, "My dear Lord, please be merciful upon me. I am praying for Your mercy." This is an example of uparasa in fraternal affection and neutrality.

Kaṁsa once addressed his sister Devakī as follows: "My dear sister, having seen your dear son Kṛṣṇa, I think that He is so strong that He can kill even wrestlers strong as the mountains. So I will have no more anxieties about Him, even if He is engaged in a terrible fight." This is an instance of uparasa in a perverted reflection of parental love.

In the Lalita-mādhava, Śrīla Rūpa Gosvāmī says, "The wives of the yajñic brāhmaṇas were all young girls, and they were attracted to Kṛṣṇa in the same way as the gopīs of Vṛndāvana. Out of their attraction they distributed food to Kṛṣṇa." Here the two devotional mellows are conjugal love and parental love, and the result is called upa-rasa in conjugal love.

One of the friends of Śrīmatī Rādhārāṇī told Her, "My dear friend Gāndharvikā (Rādhārāṇī), You were the most chaste girl in our village, but now You have divided Yourself and are partially chaste and partially unchaste. It is all due to Cupid's influence upon You after You saw Kṛṣṇa and heard the sound of His flute." This is another example of uparasa caused by divided interests in conjugal love.

According to some expert learned scholars, the feelings between lover and beloved create perverted reflections of mellows in many ways.

"The gopīs have become purified by Kṛṣṇa's glance, and as such, Cupid's influence is distinctly visible on their bodies." Although in the material sense the glancing of a boy at a girl is a kind of pollution, when Kṛṣṇa threw His transcendental glance at the gopīs, they became purified. In other words, because Kṛṣṇa is the absolute truth, any action by Him is transcendentally pure.

After Kṛṣṇa chastised the Kāliyanāga in the Yamunā River by dancing on his heads, the Kāliyanāga's wives addressed Kṛṣṇa, "My dear cowherd boy, we are all only young wives of the Kāliyanāga, so why do you agitate our minds by sounding Your flute?" Kāliya's wives were flattering Kṛṣṇa so that He would spare their husband. Therefore this is an example of uparasa, or imitation.

One devotee said, "My dear Govinda, here is a nice flowery bush in Kailāsa. I am a young girl, and You are a young poetic boy. After this, what more can I say? You just consider." This is an example of uparasa, caused by impudency in conjugal love.

When Nārada Muni was passing through Vṛndāvana, he came to the Bhāṇḍīravana Forest and saw in one of the trees the famous parrot couple that always accompanies Lord Kṛṣṇa. The couple was imitating some discussion they heard upon the Vedānta philosophy, and thus were seemingly arguing upon various philosophical points. Upon seeing this, Nārada Muni was struck with wonder, and he began to stare without moving his eyelids. This is an example of anurasa, or imitation.

When Kṛṣṇa was fleeing away from the battlefield, from a distant place Jarāsandha was watching Him with restless eyes and was feeling very proud. Being thus puffed up with his conquest, he was repeatedly laughing. This is an example of aparasa.

Everything in connection with Kṛṣṇa is called ecstatic devotional love, although it may be exhibited in different ways: sometimes in right order and sometimes as a perverted reflection. According to the opinion of all expert devotees, anything that will arouse ecstatic love for Kṛṣṇa is to be taken as an impetus for transcendental mellow.

''Thus ends the Bhaktivedanta summary study of Śrī Bhakti-rasāmṛta-sindhu by Śrīla Rūpa Gosvāmī''.
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NOD 51 (1970) - Revision history

Shaalini at 13:36, 8 December 2021

Sahadeva: Created page with "1 link=Nectar of Devotion (1970) '''Nectar of Devotion (1970), Perverted Expression of Mel..."

Sahadeva: Created page with "1
link=Nectar of Devotion (1970) '''Nectar of Devotion (1970), Perverted Expression of Mel..."