Vanibot: Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

2020-05-25T08:39:52Z

Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

← Older revision		Revision as of 08:39, 25 May 2020
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			[[Category:Srimad-Bhagavatam (1962-1965) - Canto 01 Chapter 11]]
	<div style="float:left">[[File:Go-previous.png\|link=SB (1964) Eleventh Chapter - Lord Krishna's Entrance in Dwarka]] '''[[SB (1964) Eleventh Chapter - Lord Krishna's Entrance in Dwarka]]'''</div>		<div style="float:left">[[File:Go-previous.png\|link=SB (1964) Eleventh Chapter - Lord Krishna's Entrance in Dwarka]] '''[[SB (1964) Eleventh Chapter - Lord Krishna's Entrance in Dwarka]]'''</div>
	<div style="float:right">[[File:Go-previous.png\|link=SB 1.11.19 (1964)]] '''[[SB 1.11.19 (1964)]] - [[SB 1.11.21 (1964)]]''' [[File:Go-next.png\|link=SB 1.11.21 (1964)]]</div>		<div style="float:right">[[File:Go-previous.png\|link=SB 1.11.19 (1964)]] '''[[SB 1.11.19 (1964)]] - [[SB 1.11.21 (1964)]]''' [[File:Go-next.png\|link=SB 1.11.21 (1964)]]</div>
			{{CompareVersions\|SB\|1.11.20\|SB 1964\|SB 1972-77}}
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	==== TEXT No. 20 ====		==== TEXT No. 20 ====

	<div id="SB65verse">		<div class="SB65verse">
	:Nata nartaka gandharbah suta magadha vandinah.		Nata nartaka gandharbah suta magadha vandinah.
	:Gayanti cha uttamasloka charitani adbhutani cha.		Gayanti cha uttamasloka charitani adbhutani cha.
	</div>		</div>

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	==== ENGLISH SYNONYMS ====		==== ENGLISH SYNONYMS ====

	<div id="synonyms">		<div class="synonyms">
	Nata—dramaticians, Nartaka—dancers, Gandharbah—celestial singers, Suta—professional historians, Magadha—professional genealogists, Vandinah—professional-learned speakers, Gayanti—all ejaculating, Cha—respectively, Uttamasloka—the supreme Lord, Charitani—activities, Adbhutani—all super humanly, Cha—and.		Nata—dramaticians, Nartaka—dancers, Gandharbah—celestial singers, Suta—professional historians, Magadha—professional genealogists, Vandinah—professional-learned speakers, Gayanti—all ejaculating, Cha—respectively, Uttamasloka—the supreme Lord, Charitani—activities, Adbhutani—all super humanly, Cha—and.
	</div>		</div>
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	==== TRANSLATION ====		==== TRANSLATION ====

	<div id="translation">		<div class="translation">
	Expert dramaticians, artists, dancers, singers, professional historians, professional genealogists, professional learned speakers, all of them ejaculating their respective demonstrations began to act on the superhuman pastimes of the Lord and thus began to proceed on and on.		Expert dramaticians, artists, dancers, singers, professional historians, professional genealogists, professional learned speakers, all of them ejaculating their respective demonstrations began to act on the superhuman pastimes of the Lord and thus began to proceed on and on.
	</div>		</div>
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	==== PURPORT ====		==== PURPORT ====

	<div id="purport">		<div class="purport">
	It appears that 5000 thousands of years before also the society needed the service of the dramaticians, artists, dancers, singers, historians, genealogist, public speakers etc. Dancers, singers and dramatical artists mostly hailed from the Sudra community whereas the learned historians, genealogists and public speakers hailed from the Brahmin community. All of them belonged to a particular caste like that and they become so trained up in the respective families. Such dramaticians, dancers, singers, historians, genealogists and public speakers would dwel on the subject matter of the Lord's superhuman activities at different ages and milleniums and not on ordinary events, neither they were in chronological order. All the puranas are historical facts described only in relation with the Supreme Lord at different ages and times as well as at different planets also. Therefore, we do not find there any chronological order. The modern historians, therefore, cannot catch up the link and thus unauthoritatively pass on remarks that Puranas are all imaginary stories only.		It appears that 5000 thousands of years before also the society needed the service of the dramaticians, artists, dancers, singers, historians, genealogist, public speakers etc. Dancers, singers and dramatical artists mostly hailed from the Sudra community whereas the learned historians, genealogists and public speakers hailed from the Brahmin community. All of them belonged to a particular caste like that and they become so trained up in the respective families. Such dramaticians, dancers, singers, historians, genealogists and public speakers would dwel on the subject matter of the Lord's superhuman activities at different ages and milleniums and not on ordinary events, neither they were in chronological order. All the puranas are historical facts described only in relation with the Supreme Lord at different ages and times as well as at different planets also. Therefore, we do not find there any chronological order. The modern historians, therefore, cannot catch up the link and thus unauthoritatively pass on remarks that Puranas are all imaginary stories only.

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	<div style="float:right">[[File:Go-previous.png\|link=SB 1.11.19 (1964)]] '''[[SB 1.11.19 (1964)]] - [[SB 1.11.21 (1964)]]''' [[File:Go-next.png\|link=SB 1.11.21 (1964)]]</div>		<div style="float:right">[[File:Go-previous.png\|link=SB 1.11.19 (1964)]] '''[[SB 1.11.19 (1964)]] - [[SB 1.11.21 (1964)]]''' [[File:Go-next.png\|link=SB 1.11.21 (1964)]]</div>
	__NOTOC__		__NOTOC__
			__NOEDITSECTION__

Sahadeva: Created page with "
link=SB (1964) Eleventh Chapter - Lord Krishna's Entrance in Dwarka '''[[SB (1964) Eleventh Chapter - Lord Krishna's Entrance ..."

2014-06-22T09:19:50Z

Created page with "<div style="float:left">link=SB (1964) Eleventh Chapter - Lord Krishna's Entrance in Dwarka '''[[SB (1964) Eleventh Chapter - Lord Krishna's Entrance ..."

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<div style="float:left">[[File:Go-previous.png|link=SB (1964) Eleventh Chapter - Lord Krishna's Entrance in Dwarka]] '''[[SB (1964) Eleventh Chapter - Lord Krishna's Entrance in Dwarka]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=SB 1.11.19 (1964)]] '''[[SB 1.11.19 (1964)]] - [[SB 1.11.21 (1964)]]''' [[File:Go-next.png|link=SB 1.11.21 (1964)]]</div>
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==== TEXT No. 20 ====

<div id="SB65verse">
:Nata nartaka gandharbah suta magadha vandinah.
:Gayanti cha uttamasloka charitani adbhutani cha.
</div>

==== ENGLISH SYNONYMS ====

<div id="synonyms">
Nata—dramaticians, Nartaka—dancers, Gandharbah—celestial singers, Suta—professional historians, Magadha—professional genealogists, Vandinah—professional-learned speakers, Gayanti—all ejaculating, Cha—respectively, Uttamasloka—the supreme Lord, Charitani—activities, Adbhutani—all super humanly, Cha—and.
</div>

==== TRANSLATION ====

<div id="translation">
Expert dramaticians, artists, dancers, singers, professional historians, professional genealogists, professional learned speakers, all of them ejaculating their respective demonstrations began to act on the superhuman pastimes of the Lord and thus began to proceed on and on.
</div>

==== PURPORT ====

<div id="purport">
It appears that 5000 thousands of years before also the society needed the service of the dramaticians, artists, dancers, singers, historians, genealogist, public speakers etc. Dancers, singers and dramatical artists mostly hailed from the Sudra community whereas the learned historians, genealogists and public speakers hailed from the Brahmin community. All of them belonged to a particular caste like that and they become so trained up in the respective families. Such dramaticians, dancers, singers, historians, genealogists and public speakers would dwel on the subject matter of the Lord's superhuman activities at different ages and milleniums and not on ordinary events, neither they were in chronological order. All the puranas are historical facts described only in relation with the Supreme Lord at different ages and times as well as at different planets also. Therefore, we do not find there any chronological order. The modern historians, therefore, cannot catch up the link and thus unauthoritatively pass on remarks that Puranas are all imaginary stories only.

100 years before even in India all dramatical performances were centered round the superhuman activities of the Supreme Lord. The common people would be verily entertained by the performances of dramas and Jatra parties playing wonderfully on the superhuman activities of the Lord and thus even the illiterate agriculturist would be participants in the knowledge of Vedic literature even though there was considerable lack of academic qualifications. Therefore, expert players in drama, dancers, singers, speakers etc. are required for spiritual enlightenment of the common man. The genealogists would give account completely of the descendants of a particular family. Even at the present moment the guides in the pilgrimages of India would submit a complete account of genealogical table before a newcommer. This wonderful act by the guides sometimes attracts more customers for receiving such important informations.
</div>

<div style="float:left">'''[[SB 1.11.20|(Compare SB 1.11.20 Current Edition)]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=SB 1.11.19 (1964)]] '''[[SB 1.11.19 (1964)]] - [[SB 1.11.21 (1964)]]''' [[File:Go-next.png|link=SB 1.11.21 (1964)]]</div>
__NOTOC__

SB 1.11.20 (1964) - Revision history

Vanibot: Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

Sahadeva: Created page with "link=SB (1964) Eleventh Chapter - Lord Krishna's Entrance in Dwarka '''[[SB (1964) Eleventh Chapter - Lord Krishna's Entrance ..."

Sahadeva: Created page with "
link=SB (1964) Eleventh Chapter - Lord Krishna's Entrance in Dwarka '''[[SB (1964) Eleventh Chapter - Lord Krishna's Entrance ..."