SB 11.31.11 - Revision history

Elad: Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

2024-02-17T20:46:34Z

Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

← Older revision		Revision as of 20:46, 17 February 2024
Line 23:		Line 23:

	<div class="synonyms">		<div class="synonyms">
	~~rājan—O~~ King Parīkṣit; ~~parasya—of~~ the Supreme; tanu-~~bhṛt—resembling~~ the embodied living beings; ~~janana—of~~ birth; ~~apyaya—and~~ disappearance; ~~īhāḥ—the~~ activities; ~~māyā—of~~ His illusory potency; ~~viḍambanam—the~~ false show; ~~avehi—you~~ should understand; ~~yathā—just~~ as; ~~naṭasya—of~~ an actor; ~~sṛṣṭvā—creating~~; ~~ātmanā—by~~ Himself; ~~idam—this~~ universe; ~~anuviśya—entering~~ it; ~~vihṛtya—playing~~; ~~ca—and~~; ~~ante—in~~ the end; ~~saṁhṛtya—winding~~ it up; ~~ca—and~~; ātma-~~mahinā—with~~ His own glory; ~~uparataḥ—having~~ ceased; ~~saḥ—He~~; ~~āste—remains~~.		''[//vanipedia.org/wiki/Special:VaniSearch?s=rājan&tab=syno_o&ds=1 rājan]'' — O King Parīkṣit; ''[//vanipedia.org/wiki/Special:VaniSearch?s=parasya&tab=syno_o&ds=1 parasya]'' — of the Supreme; ''[//vanipedia.org/wiki/Special:VaniSearch?s=tanu&tab=syno_o&ds=1 tanu]-[//vanipedia.org/wiki/Special:VaniSearch?s=bhṛt&tab=syno_o&ds=1 bhṛt]'' — resembling the embodied living beings; ''[//vanipedia.org/wiki/Special:VaniSearch?s=janana&tab=syno_o&ds=1 janana]'' — of birth; ''[//vanipedia.org/wiki/Special:VaniSearch?s=apyaya&tab=syno_o&ds=1 apyaya]'' — and disappearance; ''[//vanipedia.org/wiki/Special:VaniSearch?s=īhāḥ&tab=syno_o&ds=1 īhāḥ]'' — the activities; ''[//vanipedia.org/wiki/Special:VaniSearch?s=māyā&tab=syno_o&ds=1 māyā]'' — of His illusory potency; ''[//vanipedia.org/wiki/Special:VaniSearch?s=viḍambanam&tab=syno_o&ds=1 viḍambanam]'' — the false show; ''[//vanipedia.org/wiki/Special:VaniSearch?s=avehi&tab=syno_o&ds=1 avehi]'' — you should understand; ''[//vanipedia.org/wiki/Special:VaniSearch?s=yathā&tab=syno_o&ds=1 yathā]'' — just as; ''[//vanipedia.org/wiki/Special:VaniSearch?s=naṭasya&tab=syno_o&ds=1 naṭasya]'' — of an actor; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sṛṣṭvā&tab=syno_o&ds=1 sṛṣṭvā]'' — creating; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ātmanā&tab=syno_o&ds=1 ātmanā]'' — by Himself; ''[//vanipedia.org/wiki/Special:VaniSearch?s=idam&tab=syno_o&ds=1 idam]'' — this universe; ''[//vanipedia.org/wiki/Special:VaniSearch?s=anuviśya&tab=syno_o&ds=1 anuviśya]'' — entering it; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vihṛtya&tab=syno_o&ds=1 vihṛtya]'' — playing; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ca&tab=syno_o&ds=1 ca]'' — and; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ante&tab=syno_o&ds=1 ante]'' — in the end; ''[//vanipedia.org/wiki/Special:VaniSearch?s=saṁhṛtya&tab=syno_o&ds=1 saṁhṛtya]'' — winding it up; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ca&tab=syno_o&ds=1 ca]'' — and; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ātma&tab=syno_o&ds=1 ātma]-[//vanipedia.org/wiki/Special:VaniSearch?s=mahinā&tab=syno_o&ds=1 mahinā]'' — with His own glory; ''[//vanipedia.org/wiki/Special:VaniSearch?s=uparataḥ&tab=syno_o&ds=1 uparataḥ]'' — having ceased; ''[//vanipedia.org/wiki/Special:VaniSearch?s=saḥ&tab=syno_o&ds=1 saḥ]'' — He; ''[//vanipedia.org/wiki/Special:VaniSearch?s=āste&tab=syno_o&ds=1 āste]'' — remains.
	</div>		</div>

Kritika at 06:41, 4 July 2021

2021-07-04T06:41:29Z

← Older revision		Revision as of 06:41, 4 July 2021
Line 1:		Line 1:
	~~{{SB_Header\|{{PAGENAME}}}}~~
	{{info		{{info
	\|speaker=~~Sukadeva Goswami~~		\|speaker=Śukadeva Gosvāmī
	\|listener=King ~~Pariksit~~		\|listener=King Parīkṣit
	}}		}}
			[[Category:Srimad-Bhagavatam - Canto 11 Chapter 31]]
			[[Category:Bhagavatam Verses Spoken by Sukadeva Gosvami - Vanisource\|113111]]
			<div style="float:left">'''[[Srimad-Bhagavatam]] - [[SB 11\|Eleventh Canto]] - [[SB 11.31: The Disappearance of Lord Sri Krsna\|Chapter 31: The Disappearance of Lord Śrī Kṛṣṇa]]'''</div>
			<div style="float:right">[[File:Go-previous.png\|link=SB 11.31.10]] '''[[SB 11.31.10]] - [[SB 11.31.12]]''' [[File:Go-next.png\|link=SB 11.31.12]]</div>
			{{RandomImage}}

			{{SBnotice}}
	==== TEXT 11 ====		==== TEXT 11 ====

	<div id="~~text~~">		<div class="verse">
	rājan parasya tanu-bhṛj-jananāpyayehā~~<br>~~		:rājan parasya tanu-bhṛj-jananāpyayehā
	māyā-viḍambanam avehi yathā naṭasya~~<br>~~		:māyā-viḍambanam avehi yathā naṭasya
	sṛṣṭvātmanedam anuviśya vihṛtya cānte~~<br>~~		:sṛṣṭvātmanedam anuviśya vihṛtya cānte
	saṁhṛtya cātma-mahinoparataḥ sa āste~~<br>~~		:saṁhṛtya cātma-mahinoparataḥ sa āste
	</div>		</div>

Line 17:		Line 22:
	==== SYNONYMS ====		==== SYNONYMS ====

	<div id="synonyms">		<div class="synonyms">
	rājan—O King Parīkṣit; parasya—of the Supreme; tanu-bhṛt—resembling the embodied living beings; janana—of birth; apyaya—and disappearance; īhāḥ—the activities; māyā—of His illusory potency; viḍambanam—the false show; avehi—you should understand; yathā—just as; naṭasya—of an actor; sṛṣṭvā—creating; ātmanā—by Himself; idam—this universe; anuviśya—entering it; vihṛtya—playing; ca—and; ante—in the end; saṁhṛtya—winding it up; ca—and; ātma-mahinā—with His own glory; uparataḥ—having ceased; saḥ—He; āste—remains.		rājan—O King Parīkṣit; parasya—of the Supreme; tanu-bhṛt—resembling the embodied living beings; janana—of birth; apyaya—and disappearance; īhāḥ—the activities; māyā—of His illusory potency; viḍambanam—the false show; avehi—you should understand; yathā—just as; naṭasya—of an actor; sṛṣṭvā—creating; ātmanā—by Himself; idam—this universe; anuviśya—entering it; vihṛtya—playing; ca—and; ante—in the end; saṁhṛtya—winding it up; ca—and; ātma-mahinā—with His own glory; uparataḥ—having ceased; saḥ—He; āste—remains.
	</div>		</div>

			{{SBcollapse}}
	==== TRANSLATION ====		==== TRANSLATION ====

	<div id="translation">		<div class="translation">
	My dear King, you should understand that the Supreme Lord's appearance and disappearance, which resemble those of embodied conditioned souls, are actually a show enacted by His illusory energy, just like the performance of an actor. After creating this universe He enters into it, plays within it for some time, and at last winds it up. Then the Lord remains situated in His own transcendental glory, having ceased from the functions of cosmic manifestation.		My dear King, you should understand that the Supreme Lord's appearance and disappearance, which resemble those of embodied conditioned souls, are actually a show enacted by His illusory energy, just like the performance of an actor. After creating this universe He enters into it, plays within it for some time, and at last winds it up. Then the Lord remains situated in His own transcendental glory, having ceased from the functions of cosmic manifestation.
	</div>		</div>
Line 31:		Line 36:
	==== PURPORT ====		==== PURPORT ====

	<div id="purport">		<div class="purport">
	According to Śrīla Jīva Gosvāmī, the so-called fight among the members of the Yadu dynasty was actually a display of the pastime potency of the Lord, since Lord Kṛṣṇa's personal associates are never subject to ordinary birth and death like conditioned souls. This being the case, certainly the Supreme Personality of Godhead Himself is transcendental to material birth and death, as clearly stated in this verse.		According to Śrīla Jīva Gosvāmī, the so-called fight among the members of the Yadu dynasty was actually a display of the pastime potency of the Lord, since Lord Kṛṣṇa's personal associates are never subject to ordinary birth and death like conditioned souls. This being the case, certainly the Supreme Personality of Godhead Himself is transcendental to material birth and death, as clearly stated in this verse.

	The word naṭasya, "of an actor or magician," is significant here. Śrīla Viśvanātha Cakravartī Ṭhākura tells the following story of a certain magician who exhibits the trick of dying:		The word ''naṭasya'', "of an actor or magician," is significant here. Śrīla Viśvanātha Cakravartī Ṭhākura tells the following story of a certain magician who exhibits the trick of dying:

	"In front of a great king, a magician approaches a stack of valuable garments, jewels, coins and so forth, all placed there by the king. Taking a jeweled necklace, the magician tells the king, 'Now I am taking this necklace, and you can't have it,' and he makes the necklace disappear. 'Now I'm taking this gold coin, and you can't have it,' he says, and makes the gold coin disappear. Next, challenging the king in the same way, the magician makes seven thousand horses disappear. Then the magician creates the illusion that the king's children, grandchildren, brothers and other family members have attacked each other and that nearly all are dead from the violent quarrel. The king hears the magician speaking and at the same time observes these things taking place before him as he sits in the great assembly hall.		"In front of a great king, a magician approaches a stack of valuable garments, jewels, coins and so forth, all placed there by the king. Taking a jeweled necklace, the magician tells the king, 'Now I am taking this necklace, and you can't have it,' and he makes the necklace disappear. 'Now I'm taking this gold coin, and you can't have it,' he says, and makes the gold coin disappear. Next, challenging the king in the same way, the magician makes seven thousand horses disappear. Then the magician creates the illusion that the king's children, grandchildren, brothers and other family members have attacked each other and that nearly all are dead from the violent quarrel. The king hears the magician speaking and at the same time observes these things taking place before him as he sits in the great assembly hall.

	"Then the magician says, 'O King, I no longer wish to live. Just as I have studied magic, so also, by the mercy of the lotus feet of my guru, I have learned the mystic meditation of yoga. One is supposed to give up one's body while meditating in a holy place, and since you have performed so many pious activities, you are a holy place yourself. Therefore I shall now give up my body.'		"Then the magician says, 'O King, I no longer wish to live. Just as I have studied magic, so also, by the mercy of the lotus feet of my ''guru'', I have learned the mystic meditation of ''yoga''. One is supposed to give up one's body while meditating in a holy place, and since you have performed so many pious activities, you are a holy place yourself. Therefore I shall now give up my body.'
	"Thus speaking, the magician sits down in the proper yoga posture, fixes himself in prāṇāyāma, pratyāhāra, dhāraṇā, dhyāna and samādhi and becomes silent. A moment later, a fire generated from his trance blazes forth out of his body and burns it to ashes. Then all the wives of the magician, distraught with lamentation, enter into that fire.		"Thus speaking, the magician sits down in the proper yoga posture, fixes himself in ''prāṇāyāma, pratyāhāra, dhāraṇā, dhyāna'' and ''samādhi'' and becomes silent. A moment later, a fire generated from his trance blazes forth out of his body and burns it to ashes. Then all the wives of the magician, distraught with lamentation, enter into that fire.

	"Three or four days later, after the magician has returned to his own province, he sends one of his daughters to the king. The daughter tells him, 'O King, I have just come to your palace, bringing along with me, invisibly, all your sons, grandsons and brothers in good health—along with all the jewels and other items given by you. Please, therefore, give me whatever you consider fitting remuneration for the wisdom of the magic that has been exhibited before you.' In this way, even by ordinary magic one can simulate birth and death."		"Three or four days later, after the magician has returned to his own province, he sends one of his daughters to the king. The daughter tells him, 'O King, I have just come to your palace, bringing along with me, invisibly, all your sons, grandsons and brothers in good health—along with all the jewels and other items given by you. Please, therefore, give me whatever you consider fitting remuneration for the wisdom of the magic that has been exhibited before you.' In this way, even by ordinary magic one can simulate birth and death."
Line 45:		Line 50:
	It is not difficult to understand, therefore, that the Supreme Personality of Godhead, although transcendental to the laws of nature, exhibits His illusory potency so that ordinary fools will think the Lord has left His body like a human being. Actually, Lord Kṛṣṇa returned to His abode in His own eternal body, as confirmed throughout the Vedic literature.		It is not difficult to understand, therefore, that the Supreme Personality of Godhead, although transcendental to the laws of nature, exhibits His illusory potency so that ordinary fools will think the Lord has left His body like a human being. Actually, Lord Kṛṣṇa returned to His abode in His own eternal body, as confirmed throughout the Vedic literature.
	</div>		</div>
	__NOTOC__~~{{SB_Footer\|{{PAGENAME}}}}~~		</div>
			</div>


			<div style="float:right">[[File:Go-previous.png\|link=SB 11.31.10]] '''[[SB 11.31.10]] - [[SB 11.31.12]]''' [[File:Go-next.png\|link=SB 11.31.12]]</div>
			__NOTOC__
			__NOEDITSECTION__

Acyuta: 1 revision(s)

2008-03-17T12:49:39Z

1 revision(s)

New page

{{SB_Header|{{PAGENAME}}}}
{{info
|speaker=Sukadeva Goswami
|listener=King Pariksit
}}

==== TEXT 11 ====

<div id="text">
rājan parasya tanu-bhṛj-jananāpyayehā<br>
māyā-viḍambanam avehi yathā naṭasya<br>
sṛṣṭvātmanedam anuviśya vihṛtya cānte<br>
saṁhṛtya cātma-mahinoparataḥ sa āste<br>
</div>

==== SYNONYMS ====

<div id="synonyms">
rājan—O King Parīkṣit; parasya—of the Supreme; tanu-bhṛt—resembling the embodied living beings; janana—of birth; apyaya—and disappearance; īhāḥ—the activities; māyā—of His illusory potency; viḍambanam—the false show; avehi—you should understand; yathā—just as; naṭasya—of an actor; sṛṣṭvā—creating; ātmanā—by Himself; idam—this universe; anuviśya—entering it; vihṛtya—playing; ca—and; ante—in the end; saṁhṛtya—winding it up; ca—and; ātma-mahinā—with His own glory; uparataḥ—having ceased; saḥ—He; āste—remains.
</div>

==== TRANSLATION ====

<div id="translation">
My dear King, you should understand that the Supreme Lord's appearance and disappearance, which resemble those of embodied conditioned souls, are actually a show enacted by His illusory energy, just like the performance of an actor. After creating this universe He enters into it, plays within it for some time, and at last winds it up. Then the Lord remains situated in His own transcendental glory, having ceased from the functions of cosmic manifestation.
</div>

==== PURPORT ====

<div id="purport">
According to Śrīla Jīva Gosvāmī, the so-called fight among the members of the Yadu dynasty was actually a display of the pastime potency of the Lord, since Lord Kṛṣṇa's personal associates are never subject to ordinary birth and death like conditioned souls. This being the case, certainly the Supreme Personality of Godhead Himself is transcendental to material birth and death, as clearly stated in this verse.

The word naṭasya, "of an actor or magician," is significant here. Śrīla Viśvanātha Cakravartī Ṭhākura tells the following story of a certain magician who exhibits the trick of dying:

"In front of a great king, a magician approaches a stack of valuable garments, jewels, coins and so forth, all placed there by the king. Taking a jeweled necklace, the magician tells the king, 'Now I am taking this necklace, and you can't have it,' and he makes the necklace disappear. 'Now I'm taking this gold coin, and you can't have it,' he says, and makes the gold coin disappear. Next, challenging the king in the same way, the magician makes seven thousand horses disappear. Then the magician creates the illusion that the king's children, grandchildren, brothers and other family members have attacked each other and that nearly all are dead from the violent quarrel. The king hears the magician speaking and at the same time observes these things taking place before him as he sits in the great assembly hall.

"Then the magician says, 'O King, I no longer wish to live. Just as I have studied magic, so also, by the mercy of the lotus feet of my guru, I have learned the mystic meditation of yoga. One is supposed to give up one's body while meditating in a holy place, and since you have performed so many pious activities, you are a holy place yourself. Therefore I shall now give up my body.'
"Thus speaking, the magician sits down in the proper yoga posture, fixes himself in prāṇāyāma, pratyāhāra, dhāraṇā, dhyāna and samādhi and becomes silent. A moment later, a fire generated from his trance blazes forth out of his body and burns it to ashes. Then all the wives of the magician, distraught with lamentation, enter into that fire.

"Three or four days later, after the magician has returned to his own province, he sends one of his daughters to the king. The daughter tells him, 'O King, I have just come to your palace, bringing along with me, invisibly, all your sons, grandsons and brothers in good health—along with all the jewels and other items given by you. Please, therefore, give me whatever you consider fitting remuneration for the wisdom of the magic that has been exhibited before you.' In this way, even by ordinary magic one can simulate birth and death."

It is not difficult to understand, therefore, that the Supreme Personality of Godhead, although transcendental to the laws of nature, exhibits His illusory potency so that ordinary fools will think the Lord has left His body like a human being. Actually, Lord Kṛṣṇa returned to His abode in His own eternal body, as confirmed throughout the Vedic literature.
</div>
__NOTOC__{{SB_Footer|{{PAGENAME}}}}