SB 4.9.4 - Revision history

Elad: Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

2024-02-18T22:00:39Z

Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

← Older revision		Revision as of 22:00, 18 February 2024
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	<div class="synonyms">		<div class="synonyms">
	''saḥ''~~—the~~ Supreme Personality of Godhead; ''tam''~~—Dhruva~~ Mahārāja; ''vivakṣantam''~~—wanting~~ to offer prayers describing His qualities; ''a-tat-vidam''~~—not~~ experienced at that; ''hariḥ''~~—the~~ Personality of Godhead; ''jñātvā''~~—having~~ understood; ''asya''~~—of~~ Dhruva Mahārāja; ''sarvasya''~~—of~~ everyone; ''ca''~~—and~~; ''hṛdi''~~—in~~ the heart; ''avasthitaḥ''~~—being~~ situated; ''kṛta-añjalim''~~—situated~~ with folded hands; ''brahma-mayena''~~—just~~ consistent with the words of the Vedic hymns; ''kambunā''~~—with~~ His conchshell; ''pasparśa''~~—touched~~; ''bālam''~~—the~~ boy; ''kṛpayā''~~—out~~ of causeless mercy; ''kapole''~~—on~~ the forehead.		''[//vanipedia.org/wiki/Special:VaniSearch?s=saḥ&tab=syno_o&ds=1 saḥ]'' — the Supreme Personality of Godhead; ''[//vanipedia.org/wiki/Special:VaniSearch?s=tam&tab=syno_o&ds=1 tam]'' — Dhruva Mahārāja; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vivakṣantam&tab=syno_o&ds=1 vivakṣantam]'' — wanting to offer prayers describing His qualities; ''a-[//vanipedia.org/wiki/Special:VaniSearch?s=tat&tab=syno_o&ds=1 tat]-[//vanipedia.org/wiki/Special:VaniSearch?s=vidam&tab=syno_o&ds=1 vidam]'' — not experienced at that; ''[//vanipedia.org/wiki/Special:VaniSearch?s=hariḥ&tab=syno_o&ds=1 hariḥ]'' — the Personality of Godhead; ''[//vanipedia.org/wiki/Special:VaniSearch?s=jñātvā&tab=syno_o&ds=1 jñātvā]'' — having understood; ''[//vanipedia.org/wiki/Special:VaniSearch?s=asya&tab=syno_o&ds=1 asya]'' — of Dhruva Mahārāja; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sarvasya&tab=syno_o&ds=1 sarvasya]'' — of everyone; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ca&tab=syno_o&ds=1 ca]'' — and; ''[//vanipedia.org/wiki/Special:VaniSearch?s=hṛdi&tab=syno_o&ds=1 hṛdi]'' — in the heart; ''[//vanipedia.org/wiki/Special:VaniSearch?s=avasthitaḥ&tab=syno_o&ds=1 avasthitaḥ]'' — being situated; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kṛta&tab=syno_o&ds=1 kṛta]-[//vanipedia.org/wiki/Special:VaniSearch?s=añjalim&tab=syno_o&ds=1 añjalim]'' — situated with folded hands; ''[//vanipedia.org/wiki/Special:VaniSearch?s=brahma&tab=syno_o&ds=1 brahma]-[//vanipedia.org/wiki/Special:VaniSearch?s=mayena&tab=syno_o&ds=1 mayena]'' — just consistent with the words of the Vedic hymns; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kambunā&tab=syno_o&ds=1 kambunā]'' — with His conchshell; ''[//vanipedia.org/wiki/Special:VaniSearch?s=pasparśa&tab=syno_o&ds=1 pasparśa]'' — touched; ''[//vanipedia.org/wiki/Special:VaniSearch?s=bālam&tab=syno_o&ds=1 bālam]'' — the boy; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kṛpayā&tab=syno_o&ds=1 kṛpayā]'' — out of causeless mercy; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kapole&tab=syno_o&ds=1 kapole]'' — on the forehead.
	</div>		</div>

Kritika at 11:54, 11 May 2021

2021-05-11T11:54:30Z

← Older revision		Revision as of 11:54, 11 May 2021
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	~~{{SB_Header\|{{PAGENAME}}}}~~
	{{info		{{info
	\|speaker=~~Queen Suruci~~		\|speaker=Maitreya Ṛṣi
	\|listener=~~King Dhruva~~		\|listener=Vidura
	}}		}}
			[[Category:Srimad-Bhagavatam - Canto 04 Chapter 09\|S04]]
			[[Category:Bhagavatam Verses Spoken by Maitreya Rsi - Vanisource\|040904]]
			<div style="float:left">'''[[Srimad-Bhagavatam]] - [[SB 4\|Fourth Canto]] - [[SB 4.9: Dhruva Maharaja Returns Home\|Chapter 9: Dhruva Mahārāja Returns Home]]'''</div>
			<div style="float:right">[[File:Go-previous.png\|link=SB 4.9.3]] '''[[SB 4.9.3]] - [[SB 4.9.5]]''' [[File:Go-next.png\|link=SB 4.9.5]]</div>
			{{RandomImage}}


	==== TEXT 4 ====		==== TEXT 4 ====

	<div id="~~text~~">		<div class="verse">
	sa taṁ vivakṣantam atad-vidaṁ harir~~<br>~~		:sa taṁ vivakṣantam atad-vidaṁ harir
	jñātvāsya sarvasya ca hṛdy avasthitaḥ~~<br>~~		:jñātvāsya sarvasya ca hṛdy avasthitaḥ
	kṛtāñjaliṁ brahmamayena kambunā~~<br>~~		:kṛtāñjaliṁ brahmamayena kambunā
	pasparśa bālaṁ kṛpayā kapole~~<br>~~		:pasparśa bālaṁ kṛpayā kapole
	</div>		</div>

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	==== SYNONYMS ====		==== SYNONYMS ====

	<div id="synonyms">		<div class="synonyms">
	~~saḥ—the~~ Supreme Personality of Godhead; ~~tam—Dhruva~~ Mahārāja; ~~vivakṣantam—wanting~~ to offer prayers describing His qualities; a-tat-~~vidam—not~~ experienced at that; ~~hariḥ—the~~ Personality of Godhead; ~~jñātvā—having~~ understood; ~~asya—of~~ Dhruva Mahārāja; ~~sarvasya—of~~ everyone; ~~ca—and~~; ~~hṛdi—in~~ the heart; ~~avasthitaḥ—being~~ situated; kṛta-~~añjalim—situated~~ with folded hands; brahma-~~mayena—just~~ consistent with the words of the Vedic hymns; ~~kambunā—with~~ His conchshell; ~~pasparśa—touched~~; ~~bālam—the~~ boy; ~~kṛpayā—out~~ of causeless mercy; ~~kapole—on~~ the forehead.		''saḥ''—the Supreme Personality of Godhead; ''tam''—Dhruva Mahārāja; ''vivakṣantam''—wanting to offer prayers describing His qualities; ''a-tat-vidam''—not experienced at that; ''hariḥ''—the Personality of Godhead; ''jñātvā''—having understood; ''asya''—of Dhruva Mahārāja; ''sarvasya''—of everyone; ''ca''—and; ''hṛdi''—in the heart; ''avasthitaḥ''—being situated; ''kṛta-añjalim''—situated with folded hands; ''brahma-mayena''—just consistent with the words of the Vedic hymns; ''kambunā''—with His conchshell; ''pasparśa''—touched; ''bālam''—the boy; ''kṛpayā''—out of causeless mercy; ''kapole''—on the forehead.
	</div>		</div>

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	==== TRANSLATION ====		==== TRANSLATION ====

	<div id="translation">		<div class="translation">
	Although Dhruva Mahārāja was a small boy, he wanted to offer prayers to the Supreme Personality of Godhead in suitable language. But because he was inexperienced, he could not adjust himself immediately. The Supreme Personality of Godhead, being situated in everyone's heart, could understand Dhruva Mahārāja's awkward position. Out of His causeless mercy He touched His conchshell to the forehead of Dhruva Mahārāja, who stood before Him with folded hands.		Although Dhruva Mahārāja was a small boy, he wanted to offer prayers to the Supreme Personality of Godhead in suitable language. But because he was inexperienced, he could not adjust himself immediately. The Supreme Personality of Godhead, being situated in everyone's heart, could understand Dhruva Mahārāja's awkward position. Out of His causeless mercy He touched His conchshell to the forehead of Dhruva Mahārāja, who stood before Him with folded hands.
	</div>		</div>
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	==== PURPORT ====		==== PURPORT ====

	<div id="purport">		<div class="purport">
	Every devotee wants to chant the transcendental qualities of the Lord. Devotees are always interested in hearing about the Lord's transcendental qualities, and they are always eager to glorify these qualities, but sometimes they feel inconvenienced by humbleness. The Personality of Godhead, being situated in everyone's heart, specifically gives a devotee intelligence to describe Him. It is therefore understood that when a devotee writes or speaks about the Supreme Personality of Godhead, his words are dictated by the Lord from within. This is confirmed in Bhagavad-gītā, Tenth Chapter: to those who constantly engage in the transcendental loving service of the Lord, the Lord, from within, dictates what to do next in order to serve Him. When Dhruva Mahārāja felt hesitant, not knowing how to describe the Lord for want of sufficient experience, the Lord, out of His causeless mercy, touched His conchshell to Dhruva's forehead, and he was transcendentally inspired. This transcendental inspiration is called brahma-maya because when one is thus inspired, the sound he produces exactly corresponds to the sound vibration of the Vedas. This is not the ordinary sound vibration of this material world. Therefore the sound vibration of the Hare Kṛṣṇa mantra, although presented in the ordinary alphabet, should not be taken as mundane or material.		Every devotee wants to chant the transcendental qualities of the Lord. Devotees are always interested in hearing about the Lord's transcendental qualities, and they are always eager to glorify these qualities, but sometimes they feel inconvenienced by humbleness. The Personality of Godhead, being situated in everyone's heart, specifically gives a devotee intelligence to describe Him. It is therefore understood that when a devotee writes or speaks about the Supreme Personality of Godhead, his words are dictated by the Lord from within. This is confirmed in [[Bhagavad-gita As It Is (1972)\|''Bhagavad-gītā'']], Tenth Chapter: to those who constantly engage in the transcendental loving service of the Lord, the Lord, from within, dictates what to do next in order to serve Him. When Dhruva Mahārāja felt hesitant, not knowing how to describe the Lord for want of sufficient experience, the Lord, out of His causeless mercy, touched His conchshell to Dhruva's forehead, and he was transcendentally inspired. This transcendental inspiration is called ''brahma-maya'' because when one is thus inspired, the sound he produces exactly corresponds to the sound vibration of the ''Vedas''. This is not the ordinary sound vibration of this material world. Therefore the sound vibration of the Hare Kṛṣṇa ''mantra,'' although presented in the ordinary alphabet, should not be taken as mundane or material.
	</div>		</div>
	__NOTOC__~~{{SB_Footer\|{{PAGENAME}}}}~~

			<div style="float:right; clear:both;">[[File:Go-previous.png\|link=SB 4.9.3]] '''[[SB 4.9.3]] - [[SB 4.9.5]]''' [[File:Go-next.png\|link=SB 4.9.5]]</div>
			__NOTOC__
			__NOEDITSECTION__

Acyuta: 1 revision(s)

2008-03-16T17:25:51Z

1 revision(s)

New page

{{SB_Header|{{PAGENAME}}}}
{{info
|speaker=Queen Suruci
|listener=King Dhruva
}}
==== TEXT 4 ====

<div id="text">
sa taṁ vivakṣantam atad-vidaṁ harir<br>
jñātvāsya sarvasya ca hṛdy avasthitaḥ<br>
kṛtāñjaliṁ brahmamayena kambunā<br>
pasparśa bālaṁ kṛpayā kapole<br>
</div>

==== SYNONYMS ====

<div id="synonyms">
saḥ—the Supreme Personality of Godhead; tam—Dhruva Mahārāja; vivakṣantam—wanting to offer prayers describing His qualities; a-tat-vidam—not experienced at that; hariḥ—the Personality of Godhead; jñātvā—having understood; asya—of Dhruva Mahārāja; sarvasya—of everyone; ca—and; hṛdi—in the heart; avasthitaḥ—being situated; kṛta-añjalim—situated with folded hands; brahma-mayena—just consistent with the words of the Vedic hymns; kambunā—with His conchshell; pasparśa—touched; bālam—the boy; kṛpayā—out of causeless mercy; kapole—on the forehead.
</div>

==== TRANSLATION ====

<div id="translation">
Although Dhruva Mahārāja was a small boy, he wanted to offer prayers to the Supreme Personality of Godhead in suitable language. But because he was inexperienced, he could not adjust himself immediately. The Supreme Personality of Godhead, being situated in everyone's heart, could understand Dhruva Mahārāja's awkward position. Out of His causeless mercy He touched His conchshell to the forehead of Dhruva Mahārāja, who stood before Him with folded hands.
</div>

==== PURPORT ====

<div id="purport">
Every devotee wants to chant the transcendental qualities of the Lord. Devotees are always interested in hearing about the Lord's transcendental qualities, and they are always eager to glorify these qualities, but sometimes they feel inconvenienced by humbleness. The Personality of Godhead, being situated in everyone's heart, specifically gives a devotee intelligence to describe Him. It is therefore understood that when a devotee writes or speaks about the Supreme Personality of Godhead, his words are dictated by the Lord from within. This is confirmed in Bhagavad-gītā, Tenth Chapter: to those who constantly engage in the transcendental loving service of the Lord, the Lord, from within, dictates what to do next in order to serve Him. When Dhruva Mahārāja felt hesitant, not knowing how to describe the Lord for want of sufficient experience, the Lord, out of His causeless mercy, touched His conchshell to Dhruva's forehead, and he was transcendentally inspired. This transcendental inspiration is called brahma-maya because when one is thus inspired, the sound he produces exactly corresponds to the sound vibration of the Vedas. This is not the ordinary sound vibration of this material world. Therefore the sound vibration of the Hare Kṛṣṇa mantra, although presented in the ordinary alphabet, should not be taken as mundane or material.
</div>
__NOTOC__{{SB_Footer|{{PAGENAME}}}}