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CC Antya 3.246: Difference between revisions

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[[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 03]]
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 3|Chapter 3: The Glories of Śrīla Haridāsa Ṭhākura]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Antya 3.245|Antya-līlā 3.245]] '''[[CC Antya 3.245|Antya-līlā 3.245]] - [[CC Antya 3.247|Antya-līlā 3.247]]''' [[File:Go-next.png|link=CC Antya 3.247|Antya-līlā 3.247]]</div>
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==== TEXT 246 ====
==== TEXT 246 ====


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kṛṣṇe nāmāviṣṭa-manā sadā haridāsa<br>
:kṛṣṇe nāmāviṣṭa-manā sadā haridāsa
araṇye rodita haila strī-bhāva-prakāśa<br>
:araṇye rodita haila strī-bhāva-prakāśa
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==== SYNONYMS ====
==== SYNONYMS ====


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kṛṣṇe—unto Lord Kṛṣṇa; nāma-āviṣṭa—absorbed in chanting the holy name; manā—mind; sadā—always; haridāsa—Haridāsa Ṭhākura; araṇye—in the wilderness; rodita—crying; haila—became; strī-bhāva-prakāśa—exhibition of feminine postures.
''[//vanipedia.org/wiki/Special:VaniSearch?s=kṛṣṇe&tab=syno_o&ds=1 kṛṣṇe]'' — unto Lord Kṛṣṇa; ''[//vanipedia.org/wiki/Special:VaniSearch?s=nāma&tab=syno_o&ds=1 nāma]-[//vanipedia.org/wiki/Special:VaniSearch?s=āviṣṭa&tab=syno_o&ds=1 āviṣṭa]'' — absorbed in chanting the holy name; ''[//vanipedia.org/wiki/Special:VaniSearch?s=manā&tab=syno_o&ds=1 manā]'' — mind; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sadā&tab=syno_o&ds=1 sadā]'' — always; ''[//vanipedia.org/wiki/Special:VaniSearch?s=haridāsa&tab=syno_o&ds=1 haridāsa]'' — Haridāsa Ṭhākura; ''[//vanipedia.org/wiki/Special:VaniSearch?s=araṇye&tab=syno_o&ds=1 araṇye]'' — in the wilderness; ''[//vanipedia.org/wiki/Special:VaniSearch?s=rodita&tab=syno_o&ds=1 rodita]'' — crying; ''[//vanipedia.org/wiki/Special:VaniSearch?s=haila&tab=syno_o&ds=1 haila]'' — became; ''[//vanipedia.org/wiki/Special:VaniSearch?s=strī&tab=syno_o&ds=1 strī]-[//vanipedia.org/wiki/Special:VaniSearch?s=bhāva&tab=syno_o&ds=1 bhāva]-[//vanipedia.org/wiki/Special:VaniSearch?s=prakāśa&tab=syno_o&ds=1 prakāśa]'' — exhibition of feminine postures.
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==== TRANSLATION ====
==== TRANSLATION ====


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Haridāsa Ṭhākura was always absorbed in thoughts of Kṛṣṇa and the holy name of Kṛṣṇa. Therefore the feminine poses the woman exhibited were just like crying in the forest.
Haridāsa Ṭhākura was always absorbed in thoughts of Kṛṣṇa and the holy name of Kṛṣṇa. Therefore the feminine poses the woman exhibited were just like crying in the forest.
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<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Antya 3.245|Antya-līlā 3.245]] '''[[CC Antya 3.245|Antya-līlā 3.245]] - [[CC Antya 3.247|Antya-līlā 3.247]]''' [[File:Go-next.png|link=CC Antya 3.247|Antya-līlā 3.247]]</div>
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Latest revision as of 20:26, 19 February 2024



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 246

kṛṣṇe nāmāviṣṭa-manā sadā haridāsa
araṇye rodita haila strī-bhāva-prakāśa


SYNONYMS

kṛṣṇe — unto Lord Kṛṣṇa; nāma-āviṣṭa — absorbed in chanting the holy name; manā — mind; sadā — always; haridāsa — Haridāsa Ṭhākura; araṇye — in the wilderness; rodita — crying; haila — became; strī-bhāva-prakāśa — exhibition of feminine postures.


TRANSLATION

Haridāsa Ṭhākura was always absorbed in thoughts of Kṛṣṇa and the holy name of Kṛṣṇa. Therefore the feminine poses the woman exhibited were just like crying in the forest.