CC Antya 5.22: Difference between revisions
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[[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 05]] | [[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 05]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 5|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 5|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div> | ||
Latest revision as of 08:38, 4 June 2026
Śrī Caitanya-caritāmṛta - Antya-līlā - Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 22
- tabe sei dui-jane nṛtya śikhāilā
- gītera gūḍha artha abhinaya karāilā
SYNONYMS
tabe — thereupon; sei — those; dui-jane — two young girls; nṛtya śikhāilā — directed how to dance; gītera — of the songs; gūḍha artha — the deep meaning; abhinaya karāilā — taught how to express by dramatic performances.
TRANSLATION
Rāmānanda Rāya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances.