CC Madhya 8.168: Difference between revisions
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[[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 08|C168]] | |||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 8|Chapter 8: Talks Between Śrī Caitanya Mahāprabhu and Rāmānanda Rāya]]'''</div> | |||
<div style="float:right">[[File:Go-previous.png|link=CC Madhya 8.167|Madhya-līlā 8.167]] '''[[CC Madhya 8.167|Madhya-līlā 8.167]] - [[CC Madhya 8.169|Madhya-līlā 8.169]]''' [[File:Go-next.png|link=CC Madhya 8.169|Madhya-līlā 8.169]]</div> | |||
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==== TEXT 168 ==== | ==== TEXT 168 ==== | ||
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lāvaṇyāmṛta-dhārāya tad-upari snāna | :lāvaṇyāmṛta-dhārāya tad-upari snāna | ||
nija-lajjā-śyāma-paṭṭasāṭi-paridhāna | :nija-lajjā-śyāma-paṭṭasāṭi-paridhāna | ||
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==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
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lāvaṇya-amṛta- | ''[//vanipedia.org/wiki/Special:VaniSearch?s=lāvaṇya&tab=syno_o&ds=1 lāvaṇya]-[//vanipedia.org/wiki/Special:VaniSearch?s=amṛta&tab=syno_o&ds=1 amṛta]-[//vanipedia.org/wiki/Special:VaniSearch?s=dhārāya&tab=syno_o&ds=1 dhārāya]'' — in the shower of the nectar of bodily luster; ''[//vanipedia.org/wiki/Special:VaniSearch?s=tat&tab=syno_o&ds=1 tat]-[//vanipedia.org/wiki/Special:VaniSearch?s=upari&tab=syno_o&ds=1 upari]'' — over and above that; ''[//vanipedia.org/wiki/Special:VaniSearch?s=snāna&tab=syno_o&ds=1 snāna]'' — the bath; ''[//vanipedia.org/wiki/Special:VaniSearch?s=nija&tab=syno_o&ds=1 nija]'' — own; ''[//vanipedia.org/wiki/Special:VaniSearch?s=lajjā&tab=syno_o&ds=1 lajjā]'' — shyness; ''[//vanipedia.org/wiki/Special:VaniSearch?s=śyāma&tab=syno_o&ds=1 śyāma]'' — blackish; ''[//vanipedia.org/wiki/Special:VaniSearch?s=paṭṭa&tab=syno_o&ds=1 paṭṭa]'' — silk; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sāṭi&tab=syno_o&ds=1 sāṭi]'' — garments; ''[//vanipedia.org/wiki/Special:VaniSearch?s=paridhāna&tab=syno_o&ds=1 paridhāna]'' — wearing. | ||
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==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
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“After Her midday bath, Rādhārāṇī takes another bath in the nectar of bodily luster, and She puts on the garment of shyness, which is Her black silk sari. | “After Her midday bath, Rādhārāṇī takes another bath in the nectar of bodily luster, and She puts on the garment of shyness, which is Her black silk sari. | ||
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==== PURPORT ==== | ==== PURPORT ==== | ||
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Over and above the other baths, the bath taken in the afternoon is taken in the nectar of full beauty. This nectar represents the personal qualities of beauty and luster. Thus there are three baths in different kinds of water. Rādhārāṇī then puts on two garments—a lower and an upper garment. The upper garment is pinkish and is Her affection and attraction for Kṛṣṇa, and the lower garment, a blackish silk sari, is Her shyness. | Over and above the other baths, the bath taken in the afternoon is taken in the nectar of full beauty. This nectar represents the personal qualities of beauty and luster. Thus there are three baths in different kinds of water. Rādhārāṇī then puts on two garments—a lower and an upper garment. The upper garment is pinkish and is Her affection and attraction for Kṛṣṇa, and the lower garment, a blackish silk sari, is Her shyness. | ||
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Latest revision as of 03:07, 4 June 2026
Śrī Caitanya-caritāmṛta - Madhya-līlā - Chapter 8: Talks Between Śrī Caitanya Mahāprabhu and Rāmānanda Rāya
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 168
- lāvaṇyāmṛta-dhārāya tad-upari snāna
- nija-lajjā-śyāma-paṭṭasāṭi-paridhāna
SYNONYMS
lāvaṇya-amṛta-dhārāya — in the shower of the nectar of bodily luster; tat-upari — over and above that; snāna — the bath; nija — own; lajjā — shyness; śyāma — blackish; paṭṭa — silk; sāṭi — garments; paridhāna — wearing.
TRANSLATION
“After Her midday bath, Rādhārāṇī takes another bath in the nectar of bodily luster, and She puts on the garment of shyness, which is Her black silk sari.
PURPORT
Over and above the other baths, the bath taken in the afternoon is taken in the nectar of full beauty. This nectar represents the personal qualities of beauty and luster. Thus there are three baths in different kinds of water. Rādhārāṇī then puts on two garments—a lower and an upper garment. The upper garment is pinkish and is Her affection and attraction for Kṛṣṇa, and the lower garment, a blackish silk sari, is Her shyness.