CC Madhya 14.168: Difference between revisions

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Śrī Caitanya-caritāmṛta - Madhya-līlā - Chapter 14: Performance of the Vṛndāvana Pastimes

Madhya-līlā 14.167 - Madhya-līlā 14.169

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His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada

TEXT 168

‘kila-kiñcita’, ‘kuṭṭamita’, ‘vilāsa’, ‘lalita’

‘vivvoka’, ‘moṭṭāyita’, āra ‘maugdhya’, ‘cakita’

SYNONYMS

kila-kiñcita — a particular type of ecstatic ornament manifested at the time of seeing Kṛṣṇa; kuṭṭamita — the symptom explained in verse 197; vilāsa — the symptom explained in verse 187; lalita — the symptom explained in verse 192; vivvoka — neglecting the presentation given by the hero; moṭṭāyita — awakening of lusty desires by the remembrance and words of the hero; āra — and; maugdhya — assuming the position of not knowing things although everything is known; cakita — a position in which the heroine appears very much afraid although she is not at all afraid.

TRANSLATION

“Some of the symptoms critically explained in the following verses are kila-kiñcita, kuṭṭamita, vilāsa, lalita, vivvoka, moṭṭāyita, maugdhya and cakita.

Madhya-līlā 14.167 - Madhya-līlā 14.169

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 [[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 14|C168]]
 <div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 14|Chapter 14: Performance of the Vṛndāvana Pastimes]]'''</div>
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 <div class="synonyms">
-''kila-kiñcita''—a particular type of ecstatic ornament manifested at the time of seeing Kṛṣṇa; ''kuṭṭamita''—the symptom explained in verse 197; ''vilāsa''—the symptom explained in verse 187; ''lalita''—the symptom explained in verse 192; ''vivvoka''—neglecting the presentation given by the hero; ''moṭṭāyita''—awakening of lusty desires by the remembrance and words of the hero; ''āra''—and; ''maugdhya''—assuming the position of not knowing things although everything is known; ''cakita''—a position in which the heroine appears very much afraid although she is not at all afraid.
+''[//vanipedia.org/wiki/Special:VaniSearch?s=kila&tab=syno_o&ds=1 kila]-[//vanipedia.org/wiki/Special:VaniSearch?s=kiñcita&tab=syno_o&ds=1 kiñcita]'' — a particular type of ecstatic ornament manifested at the time of seeing Kṛṣṇa; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kuṭṭamita&tab=syno_o&ds=1 kuṭṭamita]'' — the symptom explained in verse 197; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vilāsa&tab=syno_o&ds=1 vilāsa]'' — the symptom explained in verse 187; ''[//vanipedia.org/wiki/Special:VaniSearch?s=lalita&tab=syno_o&ds=1 lalita]'' — the symptom explained in verse 192; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vivvoka&tab=syno_o&ds=1 vivvoka]'' — neglecting the presentation given by the hero; ''[//vanipedia.org/wiki/Special:VaniSearch?s=moṭṭāyita&tab=syno_o&ds=1 moṭṭāyita]'' — awakening of lusty desires by the remembrance and words of the hero; ''[//vanipedia.org/wiki/Special:VaniSearch?s=āra&tab=syno_o&ds=1 āra]'' — and; ''[//vanipedia.org/wiki/Special:VaniSearch?s=maugdhya&tab=syno_o&ds=1 maugdhya]'' — assuming the position of not knowing things although everything is known; ''[//vanipedia.org/wiki/Special:VaniSearch?s=cakita&tab=syno_o&ds=1 cakita]'' — a position in which the heroine appears very much afraid although she is not at all afraid.
 </div>