CC Antya 5.23: Difference between revisions
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[[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 05]] | [[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 05]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 5|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 5|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div> | ||
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''sañcārī'' | ''[//vanipedia.org/wiki/Special:VaniSearch?s=sañcārī&tab=syno_o&ds=1 sañcārī]'' — passing; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sāttvika&tab=syno_o&ds=1 sāttvika]'' — natural; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sthāyi&tab=syno_o&ds=1 sthāyi]'' — continuously existing; ''[//vanipedia.org/wiki/Special:VaniSearch?s=bhāvera&tab=syno_o&ds=1 bhāvera]'' — of ecstasies; ''[//vanipedia.org/wiki/Special:VaniSearch?s=lakṣaṇa&tab=syno_o&ds=1 lakṣaṇa]'' — symptoms; ''[//vanipedia.org/wiki/Special:VaniSearch?s=mukhe&tab=syno_o&ds=1 mukhe]'' — in the facial expressions; ''[//vanipedia.org/wiki/Special:VaniSearch?s=netre&tab=syno_o&ds=1 netre]'' — in the movement of the eyes; ''[//vanipedia.org/wiki/Special:VaniSearch?s=abhinaya&tab=syno_o&ds=1 abhinaya]'' — the dramatic performance; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kare&tab=syno_o&ds=1 kare] [//vanipedia.org/wiki/Special:VaniSearch?s=prakaṭana&tab=syno_o&ds=1 prakaṭana]'' — he demonstrates. | ||
</div> | </div> | ||
Latest revision as of 08:38, 4 June 2026
Śrī Caitanya-caritāmṛta - Antya-līlā - Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 23
- sañcārī, sāttvika, sthāyi-bhāvera lakṣaṇa
- mukhe netre abhinaya kare prakaṭana
SYNONYMS
sañcārī — passing; sāttvika — natural; sthāyi — continuously existing; bhāvera — of ecstasies; lakṣaṇa — symptoms; mukhe — in the facial expressions; netre — in the movement of the eyes; abhinaya — the dramatic performance; kare prakaṭana — he demonstrates.
TRANSLATION
He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies.