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CC Madhya 13.14: Difference between revisions

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{{DISPLAYTITLE:CC Madhya 13.14 (1996)}}
[[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 13|C014]]
[[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 13|C014]]
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 13|Chapter 13: The Ecstatic Dancing of the Lord at Ratha-yātrā]]'''</div>
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 13|Chapter 13: The Ecstatic Dancing of the Lord at Ratha-yātrā]]'''</div>

Latest revision as of 03:56, 4 June 2026



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 14

mahāprabhu ‘maṇimā’ ‘maṇimā’ kare dhvani
nānā-vādya-kolāhale kichui nā śuni


SYNONYMS

mahāprabhu — Śrī Caitanya Mahāprabhu; maṇimā maṇimāan honorific; kare — makes; dhvani — the sound; nānā — various; vādya — of musical instruments; kolāhale — by the tumultuous sound; kichui — anything; — not; śuni — can hear.


TRANSLATION

While the Lord was transported from the throne to the car, tumultuous sounds were made on various musical instruments. Śrī Caitanya Mahāprabhu was chanting “Maṇimā! Maṇimā!” but He could not be heard.


PURPORT

The word maṇimā is used to address a respectable person in Orissa. Lord Jagannātha was being respectfully addressed by Śrī Caitanya in this way.