Go to Vaniquotes | Go to Vanipedia | Go to Vanimedia


Vanisource - the complete essence of Vedic knowledge


CC Antya 3.246: Difference between revisions

m (1 revision(s))
 
No edit summary
Line 1: Line 1:
{{CC_Header|{{PAGENAME}}}}
[[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 03]]
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 3|Chapter 3: The Glories of Śrīla Haridāsa Ṭhākura]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Antya 3.245|Antya-līlā 3.245]] '''[[CC Antya 3.245|Antya-līlā 3.245]] - [[CC Antya 3.247|Antya-līlā 3.247]]''' [[File:Go-next.png|link=CC Antya 3.247|Antya-līlā 3.247]]</div>
{{CompareVersions|CC|Antya 3.246|CC 1975|CC 1996}}
{{RandomImage}}




==== TEXT 246 ====
==== TEXT 246 ====


<div id="text">
<div class="verse">
kṛṣṇe nāmāviṣṭa-manā sadā haridāsa<br>
:kṛṣṇe nāmāviṣṭa-manā sadā haridāsa
araṇye rodita haila strī-bhāva-prakāśa<br>
:araṇye rodita haila strī-bhāva-prakāśa
</div>
</div>


Line 12: Line 16:
==== SYNONYMS ====
==== SYNONYMS ====


<div id="synonyms">
<div class="synonyms">
kṛṣṇe—unto Lord Kṛṣṇa; nāma-āviṣṭa—absorbed in chanting the holy name; manā—mind; sadā—always; haridāsa—Haridāsa Ṭhākura; araṇye—in the wilderness; rodita—crying; haila—became; strī-bhāva-prakāśa—exhibition of feminine postures.
''kṛṣṇe''—unto Lord Kṛṣṇa; ''nāma-āviṣṭa''—absorbed in chanting the holy name; ''manā''—mind; ''sadā''—always; ''haridāsa''—Haridāsa Ṭhākura; ''araṇye''—in the wilderness; ''rodita''—crying; ''haila''—became; ''strī-bhāva-prakāśa''—exhibition of feminine postures.
</div>
</div>


Line 19: Line 23:
==== TRANSLATION ====
==== TRANSLATION ====


<div id="translation">
<div class="translation">
Haridāsa Ṭhākura was always absorbed in thoughts of Kṛṣṇa and the holy name of Kṛṣṇa. Therefore the feminine poses the woman exhibited were just like crying in the forest.
Haridāsa Ṭhākura was always absorbed in thoughts of Kṛṣṇa and the holy name of Kṛṣṇa. Therefore the feminine poses the woman exhibited were just like crying in the forest.
</div>
</div>
__NOTOC__{{CC_Footer|{{PAGENAME}}}}
 
 
<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Antya 3.245|Antya-līlā 3.245]] '''[[CC Antya 3.245|Antya-līlā 3.245]] - [[CC Antya 3.247|Antya-līlā 3.247]]''' [[File:Go-next.png|link=CC Antya 3.247|Antya-līlā 3.247]]</div>
__NOTOC__
__NOEDITSECTION__

Revision as of 16:44, 27 September 2021



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 246

kṛṣṇe nāmāviṣṭa-manā sadā haridāsa
araṇye rodita haila strī-bhāva-prakāśa


SYNONYMS

kṛṣṇe—unto Lord Kṛṣṇa; nāma-āviṣṭa—absorbed in chanting the holy name; manā—mind; sadā—always; haridāsa—Haridāsa Ṭhākura; araṇye—in the wilderness; rodita—crying; haila—became; strī-bhāva-prakāśa—exhibition of feminine postures.


TRANSLATION

Haridāsa Ṭhākura was always absorbed in thoughts of Kṛṣṇa and the holy name of Kṛṣṇa. Therefore the feminine poses the woman exhibited were just like crying in the forest.